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Friday, March 21, 2025

Borrow - My favorite Hodja story - Keeping the Public in Public Domain

This is the book where I first discovered the Hodja

Nasreddin is a "wise fool" enjoyed throughout the Muslim world, which I've earlier noted has many names. One of my favorite stories is offered here. I confess I've told it some times even changing the Hodja (here given as the Cogia) to other preachers. I'm sure having a constantly new sermon is a problem that happens in religions everywhere. It seems an appropriate ending to this month's Ramadan.

The story goes, one of the stories of a hundred, that Cogia Nasr Eddin Efendi one day ascending into the pulpit to preach, said, ‘O believers, do ye not know what I am going to say to you?’  

The congregation answered, ‘Dear Cogia Efendi, we do not know.’  

Then said the Cogia, ‘What shall I say to you until you do know?’  

One day the Cogia ascending again into the pulpit, said, ‘O Mussulmen, do ye not know what I am going to say to you?’  

‘We do know,’ they replied.  

Then said the Cogia, ‘Some of ye do know already, what should I have to say to you?’  Then descending from the chair he went out.  

The assembly separated quite astonished, and, when they were out, continued to say, ‘Which are those of us who know?  Which are those who do not know?’  

The Cogia one day again mounting the chair in the same manner, said, ‘O brothers, when I said to ye, “Do you know what I shall say?” There were some who said, “We know,” others said, “We do not.”  It were now well that those among ye who knew what the Cogia said should teach those that did not." 

George Borrow, trans. [1884]. The Turkish Jester or, The Pleasantries of Cogia Nasr Eddin Effendi (in English) at Project Gutenberg. The summary there correctly says:

Through his comical misunderstandings and sharp observations, the Cogia addresses broader themes of wisdom, foolishness, and societal norms. The stories serve not only as entertainment but also as reflections on life, often concluding with a profound yet humorous twist that leaves readers both amused and contemplative.

Borrow's text is formatted poorly, but the brief stories are in paragraphs that often begins "One day the Cogia..." I took this story and separated the conversation between him and his congregation into individual paragraphs.

There's yet another public domain version of this story at  Allan Ramsay's Tales from Turkey as well as in many books still under copyright.

For my own part, I feel foolish, too. (Doubt I can say I'm a wise fool.) I accidentally clicked this to be published last week! Blogger only lets me Update it now. <SIGH!> I hope you catch it on March 29 when I intended to publish it. In the meantime I guess this is Blogger shouting APRIL FOOL!

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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

Walker - Jack the Preacher - Keeping the Public in Public Domain

Offiffiffic'ally Spring started this past week when: The vernal equinox arrives on Thursday, marking the start of the spring season for the Northern Hemisphere and the fall in the Southern Hemisphere. On the equator, the sun will be directly overhead at noon. Equinoxes are the only time when both the north and south poles are lit by sunshine at the same time.(AP News.com ) Even earlier, "meteorological spring" began on March 1 as that AP article continues: While astronomical seasons depend on how the Earth moves around the sun, meteorological seasons are defined by the weather. They break down the year into three-month seasons based on annual temperature cycles. By that calendar, spring starts on March 1, summer on June 1, fall on Sept. 1 and winter on Dec. 1.

As a result spring seems firmly entrenched in March. Looking at the past week, southeastern Michigan hit 70s only to let the next day's vernal equinox bring flakes of snow! I know spring will come here even if the present temperatures "roller coaster." Is it any wonder fairy tales enjoy this hopeful sign of Spring? Many exist, but as I look out at the evergreens swaying in the wind, I can appreciate this story poking fun at the pride of the trees thinking they announce spring to the woodland flowers.

(I'll tell a bit more about the book where this story is found after the tale.)

JACK THE PREACHER

Jack the Preacher

Jack the Preacher

One morning in very early springtime the big Evergreen Trees began to talk about the part they took in telling all the woodland flowers that it was spring.

"Why, if we were not here," said one Evergreen Tree, "who would awake these sleepy springtime flowers to their duty? I should like you to tell me!"

"You speak truly, brother," said another tree. "We are ever green and need no awakening to our duty; but for us the woods would be a sorry-looking place in the summer. Those lazy crocuses would sleep right on and on!"

"Yes, and the little violets never would dare show their timid little heads," said another Evergreen Tree, "when the soft winds begin to run through the woods. It is then we call forth to all sleeping flowers and shrubs and bushes: 'Awake! It is time to get up!'"

"And who would tell the Bee summer was on its way?" said another Tree. "He would never get his work started at all if it were not for us. How lucky the flowers and all the woodland things are that we are here to tell them when to get up!"

So the Evergreens talked and bragged about how they preached Springtime to the woodland folk, and as they talked all the spring flowers awoke and the insects began lazily to stretch their wings, but it was not because of what the big Evergreen Trees were saying; no, it was because they had heard the voice of the little woodland preacher.

And who was he, do you think? Why, no other than Jack-in-the-pulpit, who gives a talk every spring to all the woodland dwellers on just how to bloom and how to buzz and when to do it.

Every night for ever so long before it is time for the crocus or the violet or any early spring flower to bloom, when it is the magic hour the Fairies come running through the woods and touch Jack on his nodding little head under the dry leaves and up he pops and begins to preach.

So when the flowers and bees and things heard the big Evergreen Trees talking they nodded to each other and laughed. "Isn't it funny to hear them?" said a beautiful yellow crocus. "Those tall trees know nothing about the real truth of things, do they?"

"Fancy thinking they awaken us!" said another flower. "Why, they themselves are asleep. They get so used to winter they stand still all the time, but who is to tell them the truth about our Preacher Jack? The Evergreen Trees never bend or sway to one side or the other far enough to see the beauties of our woodland spring. They only know what the winds tell them."

"Let them think what they like," said a little bush of pretty blossoms. "It does not hurt Jack-in-the-pulpit if the Evergreens think they are the preachers of the woods, for all the spring and summer flowers know that Jack has always been our preacher and the Evergreens haven't any pulpit to preach from. Only they do not know it."

And so the sleepy old Evergreens thought they were the ones who awakened the flowers and preached to them about their duty, and no one ever told them about little Jack-in-the-pulpit, who always has and always will preach about the spring and summer to all the woodland dwellers. 

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That story is from Sandman's Goodnight Stories by Abbie Phillips Walker and the illustration was by Rhoda C. Chase. I find it interesting that Chase has a Wikipedia page, but the only thing I could find about Walker was essentially a list of her several "Sandman" books and at Find-A-Grave. For the first two decades of the Twentieth Century her "Sandman" books were quite popular. Currently Project Gutenberg has three of them and Archive.org has several more.

In case that illustration of a Jack in the Pulpit isn't enough, here's a photo of one sprouting up on the forest floor. May you soon find one!









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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Friday, March 14, 2025

Croker - Rent Day - Keeping the Public in Public Domain

Top o' the Morning to you! . . . or whenever you may read this story celebrating St. Patrick's Day.

The 1844 edition of Thomas Crofton Croker's The Fairy Legends and Traditions of the South of Ireland holds many delightful tales of the various unusual "people" found in the Emerald Isle. Many people visiting there go to  Killarney National Park near Killarney, County Kerry. Who knows? You may be visited by the spirit of O’Donoghue. Hopefully you won't be as desperate as Bill Doody when he met the  O’Donoghue.

Killarney National Park 

RENT-DAY.

“Oh ullagone, ullagone! this is a wide world, but what will we do in it, or where will we go?” muttered Bill Doody, as he sat on a rock by the Lake of Killarney. “What will we do? to-morrow’s rent-day, and Tim the Driver swears if we don’t pay up our rent, he’ll cant every ha’perth we have; and then, sure enough, there’s Judy and myself, and the poor little grawls,[33] will be turned out to starve on the high road, for the never a halfpenny of rent have I!—Oh hone, that ever I should live to see this day!”

Thus did Bill Doody bemoan his hard fate, pouring his sorrows to the reckless waves of the most beautiful of lakes, which seemed to mock his misery as they rejoiced beneath the cloudless sky of a May morning. That lake, glittering in sunshine, sprinkled with fairy isles of rock and verdure, and bounded by giant hills of ever-varying hues, might, with its magic beauty, charm all sadness but despair; for alas,

“How ill the scene that offers rest,
And heart that cannot rest, agree!”

Yet Bill Doody was not so desolate as he supposed; there was one listening to him he little thought of, and help was at hand from a quarter he could not have expected.

“What’s the matter with you, my poor man?” said a tall portly-looking gentleman, at the same time stepping out of a furze-brake. Now Bill was seated on a rock that commanded the view of a large field. Nothing in the field could be concealed from him, except this furze-brake, which grew in a hollow near the margin of the lake. He was, therefore, not a little surprised at the gentleman’s sudden appearance, and began to question whether the personage before him belonged to this world or not. He, however, soon mustered courage sufficient to tell him how his crops had failed, how some bad member had charmed away his butter, and how Tim the Driver threatened to turn him out of the farm if he didn’t pay up every penny of the rent by twelve o’clock next day.

“A sad story indeed,” said the stranger; “but surely, if you represented the case to your landlord’s agent, he won’t have the heart to turn you out.”

“Heart, your honour! where would an agent get a heart!” exclaimed Bill. “I see your honour does not know him: besides, he has an eye on the farm this long time for a fosterer of his own; so I expect no mercy at all at all, only to be turned out.”

“Take this, my poor fellow, take this,” said the stranger, pouring a purse-full of gold into Bill’s old hat, which in his grief he had flung on the ground. “Pay the fellow your rent, but I’ll take care it shall do him no good. I remember the time when things went otherwise in this country, when I would have hung up such a fellow in the twinkling of an eye!”

These words were lost upon Bill, who was insensible to every thing but the sight of the gold, and before he could unfix his gaze, and lift up his head to pour out his hundred thousand blessings, the stranger was gone. The bewildered peasant looked around in search of his benefactor, and at last he thought he saw him riding on a white horse a long way off on the lake.

“O’Donoghue, O’Donoghue!” shouted Bill; “the good, the blessed O’Donoghue!” and he ran capering like a madman to show Judy the gold, and to rejoice her heart with the prospect of wealth and happiness.

The next day Bill proceeded to the agent’s; not sneakingly, with his hat in his hand, his eyes fixed on the ground, and his knees bending under him; but bold and upright, like a man conscious of his independence.

“Why don’t you take off your hat, fellow; don’t you know you are speaking to a magistrate?” said the agent.

“I know I’m not speaking to the king, sir,” said Bill; “and I never takes off my hat but to them I can respect and love. The Eye that sees all knows I’ve no right either to respect or love an agent!”

“You scoundrel!” retorted the man in office, biting his lips with rage at such an unusual and unexpected opposition, “I’ll teach you how to be insolent again—I have the power, remember.”

“To the cost of the country, I know you have,” said Bill, who still remained with his head as firmly covered as if he was the lord Kingsale himself.

“But come,” said the magistrate; “have you got the money for me?—this is rent-day. If there’s one penny of it wanting, or the running gale that’s due, prepare to turn out before night, for you shall not remain another hour in possession.”

“There is your rent,” said Bill, with an unmoved expression of tone and countenance; “you’d better count it, and give me a receipt in full for the running gale and all.”

The agent gave a look of amazement at the gold; for it was gold—real guineas! and not bits of dirty ragged small notes, that are only fit to light one’s pipe with. However willing the agent may have been to ruin, as he thought, the unfortunate tenant, he took up the gold, and handed the receipt to Bill, who strutted off with it as proud as a cat of her whiskers.

The agent going to his desk shortly after, was confounded at beholding a heap of gingerbread cakes instead of the money he had deposited there. He raved and swore, but all to no purpose; the gold had become gingerbread cakes, just marked like the guineas, with the king’s head, and Bill had the receipt in his pocket; so he saw there was no use in saying any thing about the affair, as he would only get laughed at for his pains.

From that hour Bill Doody grew rich; all his undertakings prospered; and he often blesses the day that he met with O’Donoghue, the great prince that lives down under the lake of Killarney.

Like the butterfly, the spirit of O’Donoghue closely hovers over the perfume of the hills and flowers it loves; while, as the reflection of a star in the waters of a pure lake, to those who look not above, that glorious spirit is believed to dwell beneath.

[33] Children. 

Found this sweet photo on an email from author Victoria L.K. Williams. As a readership test, let me know if you see it.

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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Friday, March 7, 2025

Lindsay - Dust Under the Rug - Keeping the Public in Public Domain

I sometimes say I have more than one religion as I'm also the Chief High Prophetess of the Church of the Unholy Mess. This month is loaded with special days. This past Wednesday was Ash Wednesday, the start of the season of Lent. A cross is marked with ashes on a forehead with the words "Remember that thou art dust and unto dust thou shalt return." 

Of course I decided to hunt for an appropriate story. It's not actually religious, but certainly fits the Church of the Unholy Mess.

After the story I'll give a look at the rest of March. The story is from Mother Stories by Maud Lindsay.



<SIGH!> I'm pleased for Minnie, but as Chief High Prophetess of the Church of the Unholy Mess I know I never would have earned that gold! As for being "dust thou art and unto dust thou shalt return", I would hate to disturb my fellow dust!
 
I promised I would talk about other special days in March. I've already opened the month with talking about Women's History Month. Next week I plan to give one of the many delightful stories from Irish folklore. It will be for Saint Patrick's Day, but is always good to share. This month is also the month of Ramadan, the month of prayer, fasting, charity-giving and self-accountability for Muslims. I don't yet know what story I plan to select, but it will be from Islamic tradition or from an Islamic country. I'm not positive about the final week, but the Hindu festival of Holi celebrates colors and the triumph of good over evil, good harvest, and fertility. I will be a bit late on that as this year it falls on March 13 and 14, but next week I plan an Irish story. The ideas of Holi are still worth mentioning and this summer's Collaborative Summer Library Program theme is Color Our World, so it still seems worth mentioning as March is wrapped up.
 
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WOOPS! Almost forgot to add:

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."