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Friday, November 29, 2024

Poem /prayer by MAX COOTS at this time of year

My undergraduate degree in Theatre Arts is from what is now Webster University in metro Saint Louis. So much of what I do in my storytelling came from there even though I didn't see the path I would eventually follow. Paul Steger is the Dean of the Leigh Gerdine College of Fine Arts and he sent out the following poem or prayer for this time of year. Having recently lost a longtime friend, Loretta Vitek, who was both a storyteller and librarian (and mentioned here about half a dozen times) the poem or prayer seems particularly appropriate. Loretta's family this past month joined with those of us who will miss her in a memorial feast she would have approved. 

This seems to be a most appropriate way to enjoy those around us and " those friends now gone, like gardens past that have been harvested."

Photo by Philippe Murray-Pietsch on Unsplash
 

 

Poem /prayer by MAX COOTS

 

LET US GIVE THANKS

 

Let us give thanks for a bounty of people

For children who are our second planting

and though they grow like weeds

and the wind too soon blows them away,

May they forgive us our cultivation

and remember fondly where their roots are.

 

Let us give thanks:

For generous friends, with hearts as big as hubbards

and smiles as bright as their blossoms;

For feisty friends as tart as apples;

For continuous friends, who, like scallions and cucumbers,

keep reminding us we've had them;

For crotchety friends, as sour as rhubarb

and as indestructible;

For handsome friends, who are as gorgeous as eggplants

and as elegant as a row of corn,

and the others, as plain as potatoes and so good for you;

For funny friends, who are as silly as Brussels sprouts

and as amusing as Jerusalem artichokes,

and serious friends, as complex as cauliflowers

and as intricate as onions;

For friends as unpretentious as cabbages,

as subtle as summer squash,

as persistent as parsley,

as delightful as dill,

as endless as zucchini,

and who, like parsnips,

can be counted on to see you throughout the winter;

For old friends,

nodding like sunflowers in the evening-time

and young friends coming on as fast as radishes;

For loving friends, who wind around us like tendrils

and hold us, despite our blights, wilts, and witherings;

And finally, for those friends now gone,

like gardens past that have been harvested,

but who fed us in their times

that we might have life thereafter;

For all these we give thanks.

 

-- Max Coots

I find all over the internet this poem/prayer by the late Reverend Max Coots. Reverend Coots, was both a minister of the Unitarian Universalist Church and also a passionate gardener who permitted many to share these thoughts. 

Loretta and I shared a love of dragons. A few dragon stories may be found here attached to her name, but I also will long remember her signature not only about dragons, but "There's always a story; it would be a shame not to tell it."


For friends and all who shaped our stories, let us continue to give thanks.

Friday, November 22, 2024

Bailey - Captain Christy's Thanksgiving - Keeping the Public in Public Domain

 

Just the other day I was hearing about winter visits to Michigan's Mackinac Island. Now I find the perfect story that fits there and so many other places that fit our state's motto of "If you seek a pleasant peninsula, look about you." (I'll also take this beyond Michigan, too.)

Michigan's coastline is 3,288 linear miles long, making it the longest freshwater coastline in the United States. If islands are included, the total shoreline length increases to 4,344 miles. Michigan's coastline is diverse, featuring sandy beaches, dunes, cliffs, bluffs, and wetlands. The state's coastline is also home to several national parks, including:

This coming Thursday is NOT "Turkey Day", but THANKSGIVING! Whatever your reasons or location, may you find reasons to be thankful. We all have those reasons. 

https://quotesproject.com/blessed-thanksgiving-images/

***

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “PublicDomain Story Resources."


Friday, November 15, 2024

Otto - Rainbow Legend / Summer Reading "Rainbow of Stories"

This is Native American Heritage Month, with the official day of observance as November 15th. At the same time I've been building my plans for the Collaborative Summer Library Program theme of "Color Our World."

I've prepared A Rainbow of Stories, including songs, an Anansi tale from Africa (told with an Anansi puppet), a Puerto Rican tale of Juan Bobo, the Haitian audience participation tale of Tippingee, as well as a tale the audience will create, and...

a Native American tale from Michigan's own Odawa/Ottawa (People of the the Three Fires known as the Anishinaabe) as recorded by Simon Otto. Nanaboozhoo is the legendary Anishinaabe hero and prankster with magical powers (other spellings and pronunciations exist) and Mukawgee is his dog. Together in the early days when Mother Earth was still growing, they set many things in motion that still exist today.

Simon has gone on The Long Walk, but I'm grateful for his friendship and permission to share the stories he recorded of the Anishinabek. I know his life's mission was to help us all appreciate them. As the title of the book with this story says: Walk in Peace!

I found it interesting that Native American Heritage Month celebrates this rich cultural traditions through the theme of "Rock Your Mocs." The heart of the celebration is taking place from November 10th to 16th, but I will gladly wear my moccasins not only this month, but this summer as a powerful symbol of unity and respect for the ancestors and the diverse cultures that enrich our communities.

Walk in Peace!

Friday, November 8, 2024

Skinner - The Story That Had No End - Keeping the Public in Public Domain

Today, November 9th is "Chaos Never Dies Day." While some might point to the U.S. election or how hectic this time of year is, as a storyteller I wanted something storytelling related. I instantly knew a form of the story I wanted and think it's appropriate as today I will be at the last remaining Michigan storytelling festival, the second annual Michigan Bright Water Storytelling Festival

If you're unable to go, know that you can attend the meeting of the Bright Water Tellers as they are a virtual storytelling guild and anyone interested in storytelling or story listening may attend the virtual meetings. They say:Meetings are the first Monday of each month via Zoom at 7:00pm Central/5:00pm Eastern/6:00pm Mountain/4:00 pm Pacific on Zoom (but that seems a bit chaotic in listing the time zones.) This is a free event open to all, but you must register with the link. Back during Covid I realized virtual telling was not why I told stories. For me only live storytelling gives me the reason why I tell stories. 

For that reason and for the "Chaos Never Dies Day" only this story fits. I've known it in various ways of telling it, but the Skinner sisters handle it so thoroughly and well in their Merry Tales. Feel free to tell it your way!

THE STORY THAT HAD NO END

Once upon a time there was a king who was so fond of hearing stories told that he would listen to them all day long. He cared for no other kind of amusement and he was always angry when the story came to an end. “Your stories are too short,” he said to the many story-tellers who tried to amuse him. Indeed no one had ever been found who was able to tell him a story that lasted long enough.

All the people of his court had tried again and again to please him. Some had told stories that lasted three months, some had told stories that lasted six months, and a few courtiers had been able to carry on their stories for one whole year. Still the king complained, for sooner or later the story was sure to come to an end.

 

At last he sent out the following proclamation to all the people of his kingdom:

PROCLAMATION

TO THE MAN WHO WILL TELL ME A STORY WHICH SHALL LAST FOREVER, I WILL GIVE THE PRINCESS, MY DAUGHTER, IN MARRIAGE; ALSO, I WILL MAKE THE SUCCESSFUL ONE MY HEIR AND HE SHALL BE KING AFTER ME. BUT MARK, LET NO MAN PRETEND THAT HE CAN DO SO, AND FAIL; FOR, IF THE STORY COMES TO AN END, THE STORY-TELLER SHALL BE THROWN INTO PRISON. THE KING.

The king’s daughter was a very beautiful princess, and there were many suitors in the kingdom who came to the court in hope of winning such a prize. But it was all of no use. Each tried as hard as he could to spin the story out, but sooner or later it came to an end and the unfortunate one met the fate the king had threatened.

This grieved the princess very much, and each time she begged the king to lighten the punishment of the poor story-teller who had risked so much for her sake.

At last one man sent word to the king that he had a story which would last forever and ever, and that he was ready to come to the court at once. On hearing this the princess sent for the man and warned him of his danger. She begged him not to be so rash as to try the king’s patience, for no one had ever pleased his majesty, and she feared he would meet the fate of all those who had tried and failed. But he said he was not afraid, and he asked to be taken at once before the king.

“So you are the man who is to tell me a story that will have no end?” said the king.

“If it please your majesty,” answered the man.

“If you can do this, you shall be king after me, and you shall marry the princess, my daughter. But if you fail, you shall be cast into prison.”

“I understand, O king. I have a story about locusts which I shall be pleased to tell you.”

“Very well. Begin the story.”

The story-teller began his tale.

“O king, there was once a ruler who was a great tyrant. He wished to be the richest in the land, so he seized all the corn and grain in his kingdom and had it stored away. Year after year he did this until all his granaries were filled full. But one year there came a swarm of locusts and they discovered where all the grain had been stored. After a long search, they found near the top of the granary a very small hole that was just large enough for one locust at a time to pass through. So one locust went in and carried off one grain of corn; then another locust went in and carried off one grain of corn; then another locust went in and carried off one grain of corn; then another locust went in and carried off one grain of corn—”

Thus the story-teller went on day after day, week after week, from morning till night. After hearing about the locusts for nearly a year the king became rather tired of them, patient though he was, and one day he interrupted the story-teller with:

“Yes, yes, we’ve had enough of those locusts. Let us take for granted that they got all the grain they wanted. Now go on with the story. What happened afterwards?”

“If it please your majesty, I cannot tell you what happened afterwards until I have told you all that took place in the beginning. I go on with the story. Then another locust went in and carried off one grain of corn; then another locust went in and carried off one grain of corn.”

Another month passed by. At the end of this time the king asked impatiently, “Come, sir, how long will it take those locusts to carry away all the corn?”

“O king, I cannot tell. They have cleared away but a small space round the inside of the hole, and there are still thousands and thousands of locusts on the outside. Have patience, O king, there are enough grains for each locust to have one, and in time they, no doubt, will all pass in and each in turn carry away one grain of corn. Permit me, O king, to go on with my story. Then another locust went in and carried off one grain of corn; then another locust went in and carried off one grain of corn—”

“Stop, stop,” called out the king at last. “I cannot stand those locusts any longer. Take my kingdom, be king after me, marry my daughter, take everything, only never let me hear about those ridiculous locusts again.”

So the story-teller married the princess and succeeded to the throne upon the death of the king.

***

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “PublicDomain Story Resources."

Friday, November 1, 2024

Alcott - Old Major - Keeping the Public in Public Domain

Today (November 2) is both my birthday and time to get ready for next week's Children's Book Week (November 4-10). I'm surprised to find I've never posted about Children's Book Week before. Here are a few facts about its own birth.

From the Bettmann Archive

The idea that children were banned from public libraries positively is astounding! Today's author, Louisa May Alcott, was a popular author long before Children's Book Week and children finally were allowed in libraries. She was both an activist for abolition, feminism, temperance, and women's suffrage, writing for both adults and children. It's strange today to learn according to that Wikipedia article:

Alcott had little interest in writing for children, but saw it as a good financial opportunity.[158] She felt that writing children's literature was tedious.[220] Alcott biographer Ruth K. MacDonald suggests that Alcott's hesitance to write children's novels may have arisen from the societal perception that writing for children was a means by which poor women made money.[220]

She's best known today for her three book series that began with Little Women, but she was very much an aunt to her niece, Lulu, producing Aunt Jo's Scrap-Bag (1872–1882). (66 short stories in six volumes)and later Lulu's Library (1886–1889). 

Today's story came from my search for stories about birthdays. This unusual birthday present is from volume 4, My Girls, in the Aunt Jo's Scrap-Bag series. While it shows yet another cause Alcott supported, humane treatment of animals, it is presented in a way children would view it.  

When storytelling a literary tale, unless it is extremely short, memorization is not recommended for most storytellers. Instead I would tell its source so that listeners may go back to it. In this story, I would write out the "eppytap" or "eppytarf", as the children in the story call it, and let the audience read it while I read it aloud. It provides an excellent end to the boy's birthday present.

OLD MAJOR.

"O, mamma, don't let them kill him! He isn't doing any harm, and he's old and weak, and hasn't any one to be good to him but Posy and me!" cried little Ned, bursting into his mother's room, red and breathless with anxiety and haste.

"Kill whom, dear? Sit down and tell me all about it."

"I can't sit down, and I must be quick, for they may do it while I'm gone. I left Posy to watch him, and she is going to scream with all her might the minute she sees them coming back!" cried Ned, hovering restlessly about the doorway, as if expecting the call that was to summon him to the rescue.

"Mercy on us! what is it, child?"

"A dear old horse, mamma, who has been hobbling round the road for a week. I've seen him driven away from all the neighbors, so Posy and I give him clover and pat him; and to-day we found him at our bars, looking over at us playing in the field. I wanted him to come in, but Mr. White came along and drove him off, and said he was to be killed because he had no master, and was a nuisance. Don't let him do it!"

"But, Neddy, I cannot take him in, as I did the lame chicken, and the cat without a tail. He is too big, and eats too much, and we have no barn. Mr. White can find his master, perhaps, or use him for light work."

Mamma got no further, for Ned said again,—

"No, he can't. He says the poor old thing is of no use but to boil up. And his master won't be found, because he has gone away, and left Major to take care of himself. Mr. White knew the man, and says he had Major more than eighteen years, and he was a good horse, and now he's left to die all alone. Wouldn't I like to pound that man?"

"It was cruel, Neddy, and we must see what we can do."

So mamma put down her work and followed her boy, who raced before her to tell Posy it would be "all right" now.

Mrs. West found her small daughter perched on a stone wall, patting the head of an old white horse, who looked more like a skeleton than a living animal. Ned gave a whoop as he came, and the poor beast hastily hobbled across the road, pressing himself into a nook full of blackberry vines and thorny barberry bushes, as if trying to get out of sight and escape tormentors.

"That's the way he does when any one comes, because the boys plague him, and people drive him about till he doesn't know what to do. Isn't it a pity to see him so, mamma?" said tender-hearted Ned, as he pulled a big handful of clover from his father's field close by.

Indeed, it was sad, for the poor thing had evidently been a fine horse once; one could see that by his intelligent eye, the way he pricked up his ears, and the sorrowful sort of dignity with which he looked about him, as if asking a little compassion in memory of his long faithfulness.

"See his poor legs all swelled up, and the bones in his back, and the burrs the bad boys put in his mane, and the dusty grass he has to eat. Look! he knows me, and isn't afraid, because I'm good to him," said Ned, patting old Major, who gratefully ate fresh clover from the friendly little hand.

"Yes, and he lets me stroke his nose, mamma. It's as soft as velvet, and his big eyes don't frighten me a bit, they are so gentle. Oh, if we could only put him in our field, and keep him till he dies, I should be so happy!" said Posy, with such a wheedlesome arm about mamma's neck, that it was very hard to deny her any thing.

"If you will let me have Major, I won't ask for any other birthday present," cried Ned, with a sudden burst of generosity, inspired, perhaps, by the confiding way in which the poor beast rubbed his gray head against the boy's shoulder.

"Why, Neddy, do you really mean that? I was going to give you something you want very much. Shall I take you at your word, and give you a worn-out old horse instead?" asked mamma, surprised, yet pleased at the offer.

Ned looked at her, then at old Major, and wavered; for he guessed that the other gift was the little wheelbarrow he had begged for so long,—the dear green one, with the delicious creak and rumble to it. He had seen it at the store, and tried it, and longed for it, and planned to trundle every thing in it, from Posy to a load of hay. Yes, it must be his, and Major must be left to his fate.

Just as he decided this, however, Posy gave a cry that told him Mr. White was coming. Major pressed further into the prickly hedge, with a patient sort of sigh, and a look that went to Ned's heart, for it seemed to say,—

"Good by, little friend. Don't give up any thing for me. I'm not worth it, for I can only love you in return."

Mr. White was very near, but Major was safe; for, with a sudden red in his freckled cheeks, Ned put his arm on the poor beast's drooping neck, and said, manfully,—

"I choose him, mamma; and now he's mine, I'd like to see anybody touch him!"

It was a pretty sight,—the generous little lad befriending the old horse, and loving him for pure pity's sake, in the sweet childish way we so soon forget.

Posy clapped her hands, mamma smiled, with a bright look at her boy, while Mr. White threw over his arm the halter, with which he was about to lead Major to his doom, and hastened to say,—

"I don't want to hurt the poor critter, ma'am, but he's no mortal use, and folks complain of his being in the way; so I thought the kindest thing was to put him out of his misery."

"Does he suffer, do you think? for if so, it would be no kindness to keep him alive," said mamma.

"Well, no, I don't suppose he suffers except for food and a little care; but if he can't have 'em, it will go hard with him," answered Mr. White, wondering if the old fellow had any work in him still.

"He never should have been left in this forlorn way. Those who had had his youth and strength should have cared for him in his age;" and Mrs. West looked indignant.

"So they should, ma'am; but Miller was a mean man, and when he moved, he just left the old horse to live or die, though he told me, himself, that Major had served him well, for nigh on to twenty years. What do you calculate to do about it, ma'am?" asked Mr. White, in a hurry to be off.

"I'll show you, sir. Ned, let down the bars, and lead old Major in. That shall be his home while he lives, for so faithful a servant has earned his rest, and he shall have it."

Something in the ring of mamma's voice and the gesture of her hand made Ned's eyes kindle, and Mr. White walk away, saying, affably,—

"All right, ma'am; I haven't a word to say against it."

But somehow Mr. White's big barn did not look as handsome to him as usual when he remembered that his neighbor, who had no barn at all, had taken in the friendless horse.

It was difficult to make Major enter the field; for he had been turned out of so many, driven away from so many lawns, and even begrudged the scanty pickings of the roadside, that he could not understand the invitation given him to enter and take possession of a great, green field, with apple trees for shade, and a brook babbling through the middle of it.

When at last he ventured over the bars, it was both sad and funny to see how hard he tried to enjoy himself and express his delight.

First, he sniffed the air, then he nibbled the sweet grass, took a long look about him, and astonished the children by lying down with a groan, and trying to roll. He could not do it, however, so lay still with his head stretched out, gently flapping his tail as if to say,—

"It's all right, my dears. I'm not very strong, and joy upsets me; but I'm quite comfortable, bless you!"

"Isn't it nice to see him, all safe and happy, mamma?" sighed Posy, folding her hands in childish satisfaction, while Ned sat down beside his horse, and began to take the burrs out of his mane.

"Very nice, only don't kill him with kindness, and be careful not to get hurt," answered mamma, as she went back to her work, feeling as if she had bought an elephant, and didn't know what to do with him.

Later in the day a sudden shower came up, and mamma looked about to be sure her little people were under cover, for they played out all day long, if possible. No chickens could the maternal hen find to gather under her wings, and so went clucking anxiously about till Sally, the cook, said, with a laugh,—

"Ned's down in the pastur', mum, holding an umberella over that old horse, and he's got a waterproof on him, too. Calvin see it, and 'most died a-laughing."

Mamma laughed too, but asked if Ned had on his rubber boots and coat.

"Yes, mum, I see him start all in his wet-weather rig, but I never mistrusted what the dear was up to till Calvin told me. Posy wanted to go, but I wouldn't let her, so she went to the upper window, where she can see the critter under his umberella."

Mamma went up to find her little girl surveying the droll prospect with solemn satisfaction; for there in the field, under the apple tree, stood Major, blanketed with the old waterproof, while his new master held an umbrella over his aged head with a patient devotion that would have endeared him to the heart of good Mr. Bergh.

Fortunately the shower was soon over, and Ned came in to dry himself, quite unconscious of any thing funny in his proceedings. Mamma kept perfectly sober while she proposed to build a rough shed for Major out of some boards on the place. Ned was full of interest at once; and with some help from Calvin, the corner under the apple tree was so sheltered that there would be no need of the umbrella hereafter.

So Major lived in clover, and was a happy horse; for Cockletop, the lame chicken, and Bobtail, the cat, welcomed him to their refuge, and soon became fast friends. Cockle chased grasshoppers or pecked about him with meditative clucks as he fed; while Bob rubbed against his legs, slept in his shed, and nibbled catnip socially as often as his constitution needed it.

But Major loved the children best, and they took good care of him, though some of their kind attentions might have proved fatal if the wise old beast had not been more prudent than they. It was pleasant to see him watch for them, with ears cocked at the first sound of the little voices, his dim eyes brightening at sight of the round faces peeping over the wall, and feeble limbs stirred into sudden activity by the beckoning of a childish hand.

The neighbors laughed at Ned, yet liked him all the better for the lesson in kindness he had taught them; and a time came when even Mr. White showed his respect for old Major.

All that summer Neddy's horse took his rest in the green meadow, but it was evident that he was failing fast, and that his "good time" came too late. Mamma prepared the children for the end as well as she could, and would have spared them the sorrow of parting by having Major killed quietly, if Ned had not begged so hard to let his horse die naturally; for age was the only disease, and Major seemed to suffer little pain, though he daily grew more weak, and lame, and blind.

One morning when the children went to carry him a soft, warm mash for breakfast, they found him dead; not in the shed, where they had left him warmly covered, but at the low place in the wall where they always got over to visit him.

There he lay, with head outstretched, as if his last desire had been to get as near them as possible, his last breath spent in thanking them. They liked to think that he crept there to say good by, and took great comfort in the memory of all they had done for him.

They cried over him tenderly, even while they agreed that it was better for him to die; and then they covered him with green boughs, after Ned had smoothed his coat for the last time, and Posy cut a lock from his mane to make mourning rings of.

Calvin said he would attend to the funeral, and went off to dig the grave in a lonely place behind the sand-bank. Ned declared that he could not have his horse dragged away and tumbled into a hole, but must see him buried in a proper manner; and mamma, with the utmost kindness, said she would provide all that was needed.

The hour was set at four in the afternoon, and the two little mourners, provided with large handkerchiefs, Ned, with a black bow on his arm, and Posy in a crape veil, went to drop a last tear over their departed friend.

At the appointed time Calvin appeared, followed by Mr. White, with a drag drawn by black Bill. This delicate attention touched Neddy; for it might have been bay Kitty, and that would have marred the solemnity of the scene.

As the funeral train passed the house on its way down the lane, mamma, with another crape veil on, came out and joined the procession, so full of sympathy that the children felt deeply grateful.

The October woods were gay with red and yellow leaves, that rustled softly as they went through the wood; and when they came to the grave, Ned thanked Calvin for choosing such a pretty place. A pine sighed overhead, late asters waved beside it, and poor Major's last bed was made soft with hemlock boughs.

When he was laid in it, mamma bade them leave the old waterproof that had served for a pall still about him, and then they showered in bright leaves till nothing was visible but a glimpse of the dear white tail.

The earth was thrown in, green sods heaped over it, and then the men departed, feeling that the mourners would like to linger a little while.

As he left, Mr. White said, with the same gravity which he had preserved all through the scene,—

"You are welcome to the use of the team and my time, ma'am. I don't wish any pay for 'em; in fact, I should feel more comfortable to do this job for old Major quite free and hearty."

Mamma thanked him, and when he was gone, Ned proposed that they should sing a hymn, and Posy added, "They always sing, 'Sister, thou art mild and lovely' at funerals, you know."

Mamma with difficulty kept sober at this idea but suggested the song about "Good old Charlie," as more appropriate. So it was sung with great feeling, and then Posy said, as she "wiped her weeping eyes,"—

"Now, Ned, show mamma our eppytap."

"She means eppytarf," explained Ned, with a superior air, as he produced a board, on which he had printed with India ink the following words,—


"Here lies dear old Major. He was a good horse when he was young. But people were not kind to him when he was old. We made him as happy as we could. He loved us, and we mourn for him. Amen."


Ned's knowledge of epitaphs was very slight, so he asked mamma if this one would do; and she answered warmly,—

"It is a very good one; for it has what many lack,—the merit of being true. Put it up, dear, and I'll make a wreath to hang on the gravestone."

Much gratified, Ned planted the board at the head of the grave, Posy gathered the brightest leaves, and mamma made a lovely garland in which to frame the "eppytap."

Then they left old Major to his rest, feeling sure that somewhere there must be a lower heaven for the souls of brave and faithful animals when their unrewarded work is done.

Many children went to see that lonely grave, but not one of them disturbed a leaf, or laughed at the little epitaph that preached them a sermon from the text,—

"Blessed are the merciful."


*****

Over the years I have adopted many animals, dogs, cats (now off limits due to allergies), goats, and chickens. I'm told C.S. Lewis said they must be waiting for us in heaven because without them heaven wouldn't be heavenly. I've not been able to find that quote and would appreciate it if anybody could help me find it. I certainly agree.

*********

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “PublicDomain Story Resources."