Bailey - Why the Bear Sleeps All Winter - Keeping the Public in Public Domain

There is still another two or three months of winter left in North America and I'm sure many of us would love to run away to someplace warm or, failing that, hibernate.  Carolyn Sherwin Bailey's background as a teacher, principal, and life-long writer resulted in her dependably telling stories in a way that works with an audience.  Her version of "Why the Bear Sleeps All Winter" in  Firelight Stories published in 1907 is no exception.  (By the way, the publisher was Milton Bradley who now is known for board games.)  By that time she had already published four books including the first of her For the Children's Hour books.

While older anthologies don't document sources the way most do today, in her Introduction she groups the story with some other tales "The southern negroes have given us the stories...still told in Georgia and the Carolinas."  At the same time she omits the difficult dialect that almost becomes a foreign language so commonly used then in such tales.  The hero of the story is "little Brother Rabbit" oppressed by an "old Bear."  All the other animals are called Brother.  The name Br'er is a contraction of Brother and tales of Br'er Rabbit by Joel Chandler Harris don't include this story.  It would be fun to assign the animal parts to audience members to mime while the story is told. 

While it's not hibernation, curling up with a good book is always welcome.  Ms. Bauer has many books online:

• a few at Project Gutenberg, 
• many at the Internet Archive, including Firelight Stories which had today's story, 
• and even seven audio stories at Librivox.  
• Not yet online is her Newbery Medal winning children's novel, Miss Hickory, 
• but the text of her popular picture book, The Little Rabbit Who Wanted Red Wings, can be found with new illustrations.  Also translations into Spanish, Russian, Chinese, Italian, and Croatian through the Rosetta Project at Children's Books Online

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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories. 

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my normal monthly posting of a research project here.  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my monthly postings as often as I can manage it.    

There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I recommended it earlier and want to continue to do so.  Have fun discovering even more stories!

Story Starters Continued

Last week I gave a peek at Story Starters, promising more today.  Even religious literature has a tradition that sparks story creation.  Midrash is a term starting with Jewish stories explaining something left unsaid in a Biblical tale.  Some enjoyable modern versions are by Rabbi Marc Gellman in

and his other  book. 

If those books don't get you realizing how many questions about familiar stories you might use, consider the start of this poem by Howard Thurman.

The Work of Christmas

When the song of the angels is stilled,

when the star in the sky is gone,

when the kings and princes are home,

when the shepherds are back with the flocks,

then the work of Christmas begins . . .

If you want the rest of the poem, click the title as it's in many places on the internet and deserves reading, BUT the story it starts for me is those Wise Men, who are possibly rulers, returning to their lands.  What will it be like to try and regain their old positions?  (I doubt the shepherds found life with their flocks different, although Jay T. Stocking, in a 1937 book possibly still in copyright, has the story of "The Shepherd Who Did Not Go" in his book, Stocking Tales.  It's a lovely story of a boy who stayed behind to guard the sheep and had quite an adventure which even let him hold the Baby the others went to see.)

Whether it's the Bible, Shakespeare, or some other well-known story, look at characters who are possibly not the main focus or what happened to them after the well-known story ends.  A cartoon (again copyrighted and no permission given to reprint here) showed a princess and a frog skipping together along with a "prescription side effects warning" for Frog Kissing.  Hmmmmm.  Think of the old claim of warts coming from holding frogs.  What about Rapunzel's mother and her love of rapunzel (some versions call the plant rampion) next door in the witch's garden?  Similarly might a shampoo or other hair product carry a warning about letting your hair grow too long?  Sleeping Beauty's parents certainly should have checked the census records or at least etiquette books before holding their baby shower.  You get the idea.

All this came from my mind meandering after breaking my wrist.  It's not horribly far-fetched like when I have workshop attendees look at a simple incident and stretch it further and further in a tall tale such as items grown in the garden of a musician which might start out normally enough, but produce instruments and other musical fruit.

While waiting to see my own doctor, after the urgent care x-rays showed a broken wrist and put on a horrible splint, I went online tapping out in a sinister manner.  (Sinister originally meant left-handed.)  Tried to find suggestions for one-handed life since I expected 6-8 weeks of this.  Fortunately my doctor thinks 4-6 weeks!  Along the way I found a story starter worthy of a novel.  A stay-at-home mom had both wrists in casts along with two-year-old twins not yet toilet trained.  It sounded as if her husband was unable to take time off from work.  Did either his or her mother come to help, and, if so, how did that go?  Were they able to find a local helper?  Did she divorce him for his lack of support?  Oh the possibilities are endless, including a murder plot!

So it's time for me to stop and let you start.  Happy story starting!

Story Starters

Thank heavens for computer keyboards.  With a little bit of persistence I can tap out messages even with a cast on my dominant hand.  How did that happen everybody asks.  Years ago I chopped off the tip of my other hand -- the same hand which had earlier been in a cast for a broken wrist.  Fortunately there was just enough to reattach the thumb tip, but again everybody asked "How did that happen?"  Friends suggested all manner of answers.  This time my Ob/Gyn doctor gave a doozie of a story.

Dr. Zaidan said I should say I was at Target when a terrorist tried to take over.  I sized up the situation and did a Tom Cruise, Mission Impossible-style somersault, ending in a kick to the terrorist, knocking him senseless and tossing the gun out of his hand.  Police arrived and were stunned to learn I'd ended the hostage situation and only had a broken wrist for damages.  Thank you, Dr. Z!

I'd been saying I did a Triple Klutz . . . which I could have expanded into a late in life attempt to join the U.S. Olympic skating team.  Yeahrightsure.

What really happened was fairly boring.  Missed the step coming down off a ladder and had a limited space to land.

What really worried me was what would I do if I am still in a cast when my next Liberetta Lerich Green program is scheduled?  Liberetta grew up on an Underground Railroad Station here in Michigan (as well as having brothers in the Fighting Fifth Infantry during the Civil War), so February is often a month when I tell about the Underground Railroad from the stationmaster's point of view.  Asked my doctor what casts looked like 100 years ago since that's usually the timeframe in which I present her.  By that time she was the widow of Addison Green, who raised horses.  It would be easy to make a papier mache "cast" to fit over my more modern cast and say I was kicked by a horse.  Did it happen?  Not that I know, but it is true to her life and lets me get back to telling history as she viewed it.

All this got me thinking about the times when I offer workshops on story creation.  I'm not a big fan of personal stories.  I prefer either historical material or traditional folklore that has stood the test of time.  Is that all I tell?  Dunberidiculous!  I love to say I tell lies for fun and profit.  Part of that includes Tall Tales.  It's great to take a story and start out believably, gradually stretching it into wilder and wilder extremes.  Dr. Z. is a natural.

Story starters are how I like to get a workshop thinking in stories.  Right now I'm exhausted trying to type all of this, so I'll use a favorite technique of storytellers . . . Suspense!  For some story starting ideas for you without even attending a workshop, look next week as I have a few that should really get you telling.

While prowling images of Tom Cruise I found a great image of him in Total Recall where his picture is dissolving.  The picture is copy protected, but what was really great and leads into next week is the question it asked . . .

Parker - How the Sun Was Made - Keeping the Public in Public Domain

This week most of North America has been encased in the iciest cold.  I'm just contrarian enough that I want to read stories from the Southern Hemisphere where heat is the topic instead.  My storytelling friends in Australia certainly qualify.  Years ago I spent a year researching the stories of the land they call Oz. Here in Michigan the following year it was the Summer Reading Program theme and I needed 8 programs for my own library's series.  There was more than enough to tell!  My storytelling and fascination with Oz has continued.

Along the way I found K. Langloh Parker's book, Australian Legendary Tales, and rejected her stories.  Why?  The Wikipedia article on her is the typical Wikipedia brief summary, but it also points out the problem with her work publishing aboriginal stories:

As their culture (aboriginal - LSK) was in decline, because of pressure by European settlers, her testimony is one of the best accounts we have of the beliefs and stories of the Aboriginal people of North-West New South Wales at that time. However, her accounts reflect European prejudices of the time, and so to modern ears her accounts contain a number of misconceptions and racist comments.

Because of this and also because of the complex aboriginal beliefs and background so foreign to my own background, I mainly told Aussie stories outside the aboriginal culture.  However a program series looking at Oz wanted more than just stories written by the European settlers and their descendants.  For aboriginal stories I used only books written by aboriginal authors.  There are several, but I especially recommend Sally Morgan and her book, The Flying Emu and Other Australian Stories.  She is definitely a teacher with stories of value beyond a mere glimpse of aboriginal culture and generously agreed to let me use those stories in oral storytelling.  The topic of aboriginal culture is a deep well, with way more than I can hope to adequately present.  To take a brief "dip" in that well, you might start with this Wikipedia article on the Dreamtime.  

So why am I offering this story by Parker?  I think she is definitely a product of her own culture, but she also is a product of her upbringing and later research into aboriginal stories.  To understand why I say this, you might read this very detailed website on The Life and Times of an Australian Collector (you may want to jump down to her own birth in 1856 [section 12] or to section 21 where her interest in aboriginal culture starts to be covered).  For a "mid-sized" article, the Australian Dictionary of Biography is a quick read and shows Parker's efforts at fairly recording the stories.

Before the story, a few Aussie words might need explaining to readers unfamiliar with them.  When talking about Parker's family "squatting", here in the U.S. it would be "homesteading"; a "station" could be compared to our ranches; within the story a "Goo-goor-gaga" is the Kookaburra bird and the name gives an interesting description of its cry -- along with a caution for using it.  I'm uncertain if the "good spirit" mentioned is Baiame, which she is credited with showing pre-dated European missionaries.  I don't know.  Let the story speak to you and be warmed by it even though it may need a bit of understanding and research about "Katie" Parker Stow.

To read other stories collected by Parker, go to the Online Books Page. 

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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories. 

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my normal monthly posting of a research project here.  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my monthly postings as often as I can manage it.    


There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I recommended it earlier and want to continue to do so.  Have fun discovering even more stories!

Fillmore - The Twelve Months - Keeping the Public in Public Domain

As we start 2015 "The Twelve Months" is a popular story anthologized frequently, but Parker Fillmore's version deserves to be the standard.  Even he says that the story comes from the collector, Nemcova, and that this "very beautiful" story and another, "Vitazko" -- in the same book, The Shoemaker's Apron; Czechoslovak Folk and Fairy Tales, -- "would be a profanation to 'edit' them."  A bit more about him appears after today's story.  Czech artist, Jan Matulka, did the illustrations.

Fillmore's loving retellings of Czech, Moravian, and Slovak tales are available in several anthologies he put together.  He was recognized for going beyond academic translations, retelling as "an accomplished storyteller."

from Baldwin Project site, but also found in  Junior Book of Authors

Fillmore's works online are most easily found through the Online Books page, where the sources are mainly divided between HathiTrust and Project Gutenberg.  Today's book is available at either, so take your choice in reading other stories, including "Vitazko the Victorious: The Story of a Hero Whose Mother Loved a Dragon."  "Vitazko" is not well known and is too long for me to post here, so I do so hope you hunt out this other story even Fillmore felt was told beautifully.  (That and I just love dragon stories!)

While Fillmore's works are well represented online, facts about him are not.  Brittanica's Kids Encyclopedia has an article you can read only after registration for a "free trial" requiring a credit card to learn more.  Their article begins:
(1878–1944). U.S. author Parker Hoysted Fillmore wrote books of folktales and  fairy tales for children drawn from the folklore of Central and Northern Europe.

Other than that, nothing appears, but I have online access to the H.W. Wilson reference series, Junior Book of Authors, however that doesn't give me permission to copy it.  The article by him in the original 1934 Junior Book of Authors tells of his going to the Philippines for 3 years to teach children right after graduating from his hometown University of Cincinnati.  He taught using only English, creating his own stories for instruction, and that led to his continued writing upon his return.  At first this was done while working for the W.H. Fillmore and Company banking firm.  By World War I he was living in a New York city Czech settlement and he became interested in Czech folklore, leading to the start of his various folklore anthologies, including a Finnish friend leading further to his Finnish tales.  His Yugoslavian material came after the JBofA article.  Some of his writing was original, but his folktales have endured as classics.  
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This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain."  The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated.  I feel strongly current copyright law delays this intent on works of the 20th century.  My own library of folklore includes so many books within the Public Domain I decided to share stories from them.  I hope you enjoy discovering new stories. 

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my normal monthly posting of a research project here.  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my monthly postings as often as I can manage it.    

  
There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection.  I recommended it earlier and want to continue to do so.  Have fun discovering even more stories!