This was a great look at the early way Abraham Lincoln managed to use storytelling. If anyone wants to look at the footnotes in this story or read more about "Honest Abe"; A Study in Integrity Based on the Early Life of Abraham Lincoln by Alonzo Rothschild, the entire book is found online at Archive.org where they, too, are Keeping the Public in Public Domain.
To my mind Rothschild certainly beats the original Childhood of Famous Americans series, published by Bobbs-Merrill in the 1930s through the 1950s and still in many libraries when I began to work as a librarian. Still I know they were beloved in their own time and someday will be Public Domain, too. For now, if you really want them, they're in many an antique store, and they are a look at literature of that period...always something to keep in mind when evaluating a story. Former English teacher and now homeschool teacher, Juliette Holden, reviewed the new version of the series in her blog, Jane Austen Mama. As the mother and teacher of a child with visual difficulties that might have also been labeled a learning disability, she values the new series. As she points out, "Each biography focuses on a childhood incident in the famous American's life which is not only true but also applicable to something memorable in their adult life." It's interesting that the first example she gives is of a young Betsy Ross and her thimble, learning to be true to her own interests and talents." I confess I was a bit shocked to find some of the new series in our church library's children's biography section. Clearly they still teach values, but my only caution would be to remember the level of fictionalization. Going on Amazon for reviews, at present, all rate George Washington: Young Leader from the series positively, but the four star reviews note the need to recognize the fictionalization. Still I notice that, even though written in 1942 and repackaged and newly illustrated, it avoids the Parson Weems tale of that bothersome cherry tree. Since Betsy Ross's book is about her childhood, we don't even have to consider if she truly made the first flag or not. A story, however, can be "true" even if it isn't factual. Hmmm. Looks like those issues Rivka raised are still with us.
Come back next week for the final look, for now?, at American myths that have been waving like the flag on Independence Day.
This is part of a series of postings of stories under the category, "Keeping the Public in Public Domain." The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering new stories.
At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience. Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week. This is a return to my normal monthly posting of a research project here. Response has convinced me that "Keeping the Public in Public Domain" should continue along with my monthly postings as often as I can manage it.
There are many online resources for Public Domain stories, none for folklore is as ambitious as fellow storyteller, Yoel Perez's database, Yashpeh, the International Folktales Collection. I recommended it earlier and want to continue to do so. Have fun discovering even more stories!
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