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Friday, September 11, 2026

Skinner - The King's Candles - Keeping the Public in Public Domain

As autumn begins, the Skinner sisters, Ada and Eleanor, have a book for the season worth checking, The Topaz Story Book. It starts with the season changing the leaves on through pumpkins, Halloween and Thanksgiving. Wildflowers seem to color the fields in purple and gold. One of those, mullein, takes two years to become golden. Herbal medicine also values those plants, but a story offers an unusual use.


https://www.gardeningknowhow.com/ornamental/flowers/mullein/mullein-uses-and-disadvantages.htm 

THE KING’S CANDLES

Once upon a time there lived a good king who was driven from his throne by an enemy. A few faithful knights and servants fled with his majesty to a forest where they found shelter in deep, rocky caves.

The flight from the king’s palace had been so hasty that the knights and servants could bring only a few things for their king’s comfort. It was in the early autumn and his majesty feared it would be necessary to live in secret during the coming winter. You may be sure the king was well pleased to find his knights had brought a few warm blankets and robes. After he had praised his followers for their thoughtfulness in providing for the winter, a young page stepped forward and said, “Your Majesty, I did not bring clothing, but I brought as many candles as I could carry.”

“Candles,” laughed the king, “now pray tell me, lad, why you brought candles. You served me well in the palace by seeing that my throne was properly lighted, but in our forest exile we shall have little use for candles, I fear.”

“Sire,” replied the page, “I thought that your majesty would wish to hold council in the evenings, and that I could light your throne seat with candles as was the custom in the palace.”

“I fear my throne seat, as you call it, will be nothing more than a rocky ledge for some time,” said the king. “See, there is one in the inner cave which will serve. So long as the candles last, my faithful lad, your king will not be obliged to hold council in darkness.”

“So long as the candles last,” repeated the king’s page to himself. “I hope our king’s soldiers, who are seeking help, will be able to drive the usurper away before winter comes.”

The king and his followers soon adapted themselves to life in exile. During the daytime they hunted game which lurked in the thickets; in the evening they gathered together in the deep cave and held council. Then it was that the king sat on his rude throne lit by two candles.

The king’s page with sinking heart saw the candles grow fewer and fewer until there were but two left. Then at last came an evening when the lights were missing from the king’s throne. In a dark corner of the cave the little page sat grieving because he could not see his king’s face.

It happened one morning that the lad wandered to the edge of the woodland where the highway separated the richly coloured forest trees from a stretch of meadowland where the white mist was slowly lifting. On the roadside was an old woman carrying a large sack on her bent shoulders. When she reached the place where the king’s page was standing she set her sack on the ground and looked wistfully at the meadow, then at the deep ditch which separated the field from the highway.

“Shall I help you across the ditch?” asked the king’s page.

“Thank you, my lad,” said the old woman. “Perhaps I’d better not go across. It would be hard for me to reach the highway again. But I should like a few of those tall mullein spikes. I’ve none in my bag so fine as those growing in the meadow.”

“I’ll gather some for you” said the king’s page.

He leaped across the ditch, and soon filled his hands with the tall mullein spikes.

The old woman was delighted. She tucked them into her bag and said, “They make such fine winter candles. Thank you, my lad.”

“Winter candles!” exclaimed the king’s page.

“Aye,” nodded the old woman. “Dip them in tallow, a thin coat will do—and you have candles fit for a king. Thank you kindly.”

“We are in sore need of candles where I live, but——” the page stopped.

“Use mullein spikes. They make candles fit for a king, I say,” and the old woman picked up her sack.

“But we have no tallow,” said the lad.

“I can spare you a lump of tallow, my boy. Come along with me to my cottage,” said the old woman.

So the king’s page carried the sack of mullein spikes to the old woman’s cottage and she gave him a large lump of tallow. On his way back he leaped across the ditch again and filled his arms with tall mullein spikes. He hurried back to the cave, melted the tallow, and dipped the weeds into the liquid fat.

When the king and his party returned that evening to the cave, two tall candles were standing on the rude throne.

“See,” cried the king’s page, “we have a fresh supply of candles.”

“Tell us where you got them,” said the surprised king.

“They are made from spikes of the mullein weed,” explained the king’s page. Then he told his majesty about the afternoon’s adventure.

“The mullein weed shall have a new name,” declared the king. “It shall be called the King’s Candles.”

A few days later the king called his followers around his throne seat and said, “A message has come to me declaring that the usurper has been driven out of my country. Tomorrow we’ll hold a feast in the palace, and the table shall be lighted by ‘King’s Candles. ’”

Every year since that far-off time when the reigning king holds an autumn festival, the banquet table is lighted with mullein spikes dipped in tallow, and they are called the “King’s Candles.”

“The mullein’s yellow candles burn Over the heads of dry, sweet fern.”

********

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."


Friday, September 4, 2026

Jacobs - Keep Cool - Keeping the Public in Public Domain


 

I must confess I love telling stories collected by Joseph Jacobs, but there's one book I've barely opened: Europa's Fairy Tales. It's every bit as good as his other work. Once again the illustrations are by John D. Batten. Jacobs says "It must, of course, be understood that the tales I now give are only those found practically identical in all European countries." 

As this weekend is the long Labor Day weekend, I went looking for a story about "laboring" or work. "Keep Cool" offers an unusual look at it.  At the end of the book Jacobs gives notes about the various stories. While he waits until the book's end, I think it's worth knowing how it is handled around the world. For this story he provides this information:

XV. KEEP COOL

There is no doubt about the European character of this tale, which is found in Brittany, Picardy, Lorraine, among the Basques, in Spain, Corsica, Italy, Tyrol, Germany (though not in Grimm), among Lithuanians, Moravians, Roumanians, Greeks, Irish, Scotch, Danes, Norwegians (Cosquin, ii., 50). The central idea of the Rage-Wager is retained throughout, and in many places the punishment is the same—the loss of a strip of skin. In all but three instances the story is told of three brothers, which practically proves its identity. I have given the Irish version in More Celtic Fairy Tales.

The "sells" however change considerably, though in most of them the final dénoument comes with the death or wounding of the wife. The pigs' tails incident is also very common and is indeed found in another set of tales, more of the Master Thief type. Campbell's No. 45 had an entirely different set, some of them very amusing. Mac-A-Rusgaich has all three meals at once and lies down. He holds the plough and does nothing else; he sees after themountain; literally casts ox-eyes at the master, and makes a sheep foot-path out of sheep's feet. I have taken from Campbell the direction to wash horses and stable within and without, though it does not occur elsewhere. Yet Mac-A-Rusgaich has a bout with a giant, in which he slits an artificial stomach, like Jack the Giant Killer; and this incident occurs in four other of the European tales, again showing identity. "Keep cool" is thus an interesting example of identity of framework, with variation of incident.

Hmmm. I knew I recognized this story even if it seemed a bit different. Now I need to check More Celtic Fairy Tales. 

But Labor Day is a time to relax from our labors, so for now I will tell myself to "Keep Cool."


KEEP COOL

There was once a man and he had three sons, and when he died they all had to go out to seek a living. So the eldest went out first, leaving his two brothers at home, and went to a neighbouring farmer to try and get work from him.

"Well, well, my man," said the farmer, "I can give you work but on only one condition."

"What is that?"

"I cannot abear any high talk on my farm. You must keep cool and not lose your temper."

"Oh, never bother about that," said the youngster, "I never lose my temper, or scarcely ever."

"Ah, but if you do," said the farmer, "I make it a condition that I shall tear a strip of your skin from your nape to your waist; that will make a pretty ribbon to tie around the throat of my dog there."

"That doesn't suit me," was the reply. "So fare thee well, master, I must try another place."

"Keep cool, keep cool," said the farmer. "I am a just man; what's good for the man I consider good for the master. So if I should lose my temper I am quite willing that you should take the ribbon of flesh from my back."

"Oh, if that's so," said the youngster, "I'll agree to stay. But we must have it in black and white."

So they sent for the notary and wrote it all down that if either lost his temper he should also lose a strip of skin from his back. But the eldest son had not been in the house a week when the master gave him so hard a task that he lost his temper and had to give up a strip of skin from his back. So he went home and told his brothers about it.

Well, the brothers were savage at hearing what he had suffered. And the second son went to the same man in the hope of getting revenge for his brother. But the same thing happened to him, and he had to come with a strip of skin from his back like his elder brother.

Now the third son, whose name was Jack, made up his mind he wouldn't be done like the other two. And he went to the man and he engaged himself to serve him for the same wage but on the same conditions that his two brothers had done.

The very first morning that Jack had to go out to work his master gave him a piece of dry bread and told him to mind the sheep.

"Is this all I'm to get to eat?" said Jack.

"Why, yes," said the master; "there'll be supper when you come home."

Jack was going to complain when his master called out to him, "Keep cool, Jack, keep cool," and pointed to his back.

So Jack swallowed his rage and went out into the field. But on his way he met a man, to whom he sold one of the sheep for five shillings, and went and bought enough to eat and drink for a whole week.

When he got home that evening his master began to count the sheep, and when he found one was missing, he said to Jack:

"You've let one of the sheep run away."

"No, no, sir," said Jack, "I sold him to a man passing along."

"You shouldn't have done that without my telling you; but where's the money?"

"Oh, with the money," said Jack, "I went and bought me some eats." And he showed him what he had bought.

The master was going to fly in a rage, but Jack said to him: "Keep cool, master, keep cool," and pointed to his back. So he remembered and said nothing more.

The next day Jack was ordered to take the pigs to market to sell them, and after he had cut off all their tails he sold them and pocketed the money; and then he went to a marsh near the farm and planted all the tails in the marsh.

When he got home the master asked him if he had sold the pigs.

He said: "No, they all rushed into the marsh at the foot of the valley."

"I don't believe you," said the master, and was going to get into a rage when Jack said to him:

"Keep cool, master, keep cool."

So he went with Jack to the marsh, and when he saw the pigs' tails all peeping out the marsh he went and plucked one of them out of the ground, and Jack said:

"There, you've torn the tail from the poor pig's back."

Then the master was going to get into a rage again but Jack said: "Keep cool, master, keep cool," and pointed to his back.

Next day the master didn't like sending Jack out with the animals or else he might sell them to get some dinner. So he said to him:

"Jack, I want you today to clean the horses and the stable within and without."

"Very well, master," said Jack, and went to the stable; and he whitewashed it within and he whitewashed it without. Then he went to the horses and killed them and took out their insides and cleaned them within; and then he washed their skins.

In the evening the master came to see how Jack had got on with his work and was delighted to find the stable looking so clean.

"But where are the horses?" he said; and Jack pointed to them lying dead on their backs.

"Why, what have you done?" said the master.

"You told me to clean them within and without and how could I clean them within without killing them?" said Jack.

Then the master was just going to fly into a rage, when Jack said to him: "Keep cool, master, keep cool," and pointed to his back.

So next day the master had sent Jack out with the sheep, but so that he should not sell any of them to get money for his lunch he sent his wife with them telling her to watch Jack from behind a bush, and if he tried to sell any of the sheep to stop him. But Jack saw her and didn't say anything or try and sell any of the sheep.

But next day, when he went out with them, he took with him his gun, and when the farmer's wife got behind the bush to watch him, he called out: "Ah, wolf, I see you," and fired his gun at her and hit her in the leg. She screamed out, and the master came running up and said:

"What's this, Jack, what's this?"

Then Jack said: "Why, master, I thought that was a wolf and I shot my gun at it and it turned out to be the missus."

"How dare you, you scoundrel, shoot my wife!" cried out the master.

"Don't be in a rage, master, don't be in a rage," said Jack.

"Anybody would be in a rage if his wife was shot," said the master.

"Well, then," said Jack, "I'll have that strip off your back." And as there were witnesses present the master had to let Jack take a strip of skin from his back.

And with that he went home to his brothers.

The Pig's Tail 
******************** 

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."


Friday, August 28, 2026

Pitman - The Strange Tale of Doctor Dog - Keeping the Public in Public Domain

There have been a variety of medical matters affecting my family so that is on my mind while looking for stories. It led me to a most unusual tale dating back to old imperial China, when the emperor was called "The Son of Heaven."

The story comes from The Chinese Wonder Book, a wonderful look back at Chinese folklore by Norman Hinsdale Pitman. Surprisingly he was a Michigander, born in Lamont, Michigan, but his career was entirely based in China starting by teaching at Chihli Province College in China from 1909-1912 before becoming a professor of English at Peking Teachers College. Project Gutenberg calls the stories "enchanting tales" and they certainly have a magical style not likely to be found in modern Chinese stories. The book has many illustrations by Li Chu-T'ang. 

 

THE STRANGE TALE OF DOCTOR DOG

THE STRANGE TALE OF DOCTOR DOG


F

ar up in the mountains of the Province of Hunan in the central part of China, there once lived in a small village a rich gentleman who had only one child. This girl, like the daughter of Kwan-yu in the story of the Great Bell, was the very joy of her father's life.

Now Mr. Min, for that was this gentleman's name, was famous throughout the whole district for his learning, and, as he was also the owner of much property, he spared no effort to teach Honeysuckle the wisdom of the sages, and to give her everything she craved. Of course this was enough to spoil most children, but Honeysuckle was not at all like other children. As sweet as the flower from which she took her name, she listened to her father's slightest command, and obeyed without ever waiting to be told a second time.

Her father often bought kites for her, of every kind and shape. There were fish, birds, butterflies, lizards and huge dragons, one of which had a tail more than thirty feet long. Mr. Min was very skilful in flying these kites for little Honeysuckle, and so naturally did his birds and butterflies circle round and hover about in the air that almost any little western boy would have been deceived and said, "Why, there is a real bird, and not a kite at all!" Then again, he would fasten a queer little instrument to the string, which made a kind of humming noise, as he waved his hand from side to side. "It is the wind singing, Daddy," cried Honeysuckle, clapping her hands with joy; "singing a kite-song to both of us." Sometimes, to teach his little darling a lesson if she had been the least naughty, Mr. Min would fasten queerly twisted scraps of paper, on which were written many Chinese words, to the string of her favourite kite.

"What are you doing, Daddy?" Honeysuckle would ask. "What can those queer-looking papers be?"

"On every piece is written a sin that we have done."

 "What is a sin, Daddy?"

"Oh, when Honeysuckle has been naughty; that is a sin!" he answered gently. "Your old nurse is afraid to scold you, and if you are to grow up to be a good woman, Daddy must teach you what is right."

Then Mr. Min would send the kite up high—high over the house-tops, even higher than the tall Pagoda on the hillside. When all his cord was let out, he would pick up two sharp stones, and, handing them to Honeysuckle, would say, "Now, daughter, cut the string, and the wind will carry away the sins that are written down on the scraps of paper."

"But, Daddy, the kite is so pretty. Mayn't we keep our sins a little longer?" she would innocently ask.

"No, child; it is dangerous to hold on to one's sins. Virtue is the foundation of happiness," he would reply sternly, choking back his laughter at her question. "Make haste and cut the cord."

So Honeysuckle, always obedient—at least with her father—would saw the string in two between the sharp stones, and with a childish cry of despair would watch her favourite kite, blown by the wind, sail farther and farther away, until at last, straining her eyes, she could see it sink slowly to the earth in some far-distant meadow.

"Now laugh and be happy," Mr. Min would say, "for your sins are all gone. See that you don't get a new supply of them."

Honeysuckle was also fond of seeing the Punch and Judy show, for, you must know, this old-fashioned amusement for children was enjoyed by little folks in China, perhaps three thousand years before your great-grandfather was born. It is even said that the great Emperor, Mu, when he saw these little dancing images for the first time, was greatly enraged at seeing one of them making eyes at his favourite wife. He ordered the showman to be put to death, and it was with difficulty the poor fellow persuaded his Majesty that the dancing puppets were not really alive at all, but only images of cloth and clay.

No wonder then Honeysuckle liked to see Punch and Judy if the Son of Heaven himself had been deceived by their queer antics into thinking them real people of flesh and blood.

But we must hurry on with our story, or some of our readers will be asking, "But where is Dr. Dog? Are you never coming to the hero of this tale?" One day when Honeysuckle was sitting inside a shady pavilion that overlooked a tiny fish-pond, she was suddenly seized with a violent attack of colic. Frantic with pain, she told a servant to summon her father, and then without further ado, she fell over in a faint upon the ground.

When Mr. Min reached his daughter's side, she was still unconscious. After sending for the family physician to come post haste, he got his daughter to bed, but although she recovered from her fainting fit, the extreme pain continued until the poor girl was almost dead from exhaustion.

Now, when the learned doctor arrived and peered at her from under his gigantic spectacles, he could not discover the cause of her trouble. However, like some of our western medical men, he did not confess his ignorance, but proceeded to prescribe a huge dose of boiling water, to be followed a little later by a compound of pulverized deer's horn and dried toadskin.

Poor Honeysuckle lay in agony for three days, all the time growing weaker and weaker from loss of sleep. Every great doctor in the district had been summoned for consultation; two had come from Changsha, the chief city of the province, but all to no avail. It was one of those cases that seem to be beyond the power of even the most learned physicians. In the hope of receiving the great reward offered by the desperate father, these wise men searched from cover to cover in the great Chinese Cyclopedia of Medicine, trying in vain to find a method of treating the unhappy maiden. There was even thought of calling in a certain foreign physician from England, who was in a distant city, and was supposed, on account of some marvellous cures he had brought to pass, to be in direct league with the devil. However, the city magistrate would not allow Mr. Min to call in this outsider, for fear trouble might be stirred up among the people.

Mr. Min sent out a proclamation in every direction, describing his daughter's illness, and offering to bestow on her a handsome dowry and give her in marriage to whoever should be the means of bringing her back to health and happiness. He then sat at her bedside and waited, feeling that he had done all that was in his power. There were many answers to his invitation. Physicians, old and young, came from every part of the Empire to try their skill, and when they had seen poor Honeysuckle and also the huge pile of silver shoes her father offered as a wedding gift, they all fought with might and main for her life; some having been attracted by her great beauty and excellent reputation, others by the tremendous reward.

But, alas for poor Honeysuckle! Not one of all those wise men could cure her! One day, when she was feeling a slight change for the better, she called her father, and, clasping his hand with her tiny one said, "Were it not for your love I would give up this hard fight and pass over into the dark wood; or, as my old grandmother says, fly up into the Western Heavens. For your sake, because I am your only child, and especially because you have no son, I have struggled hard to live, but now I feel that the next attack of that dreadful pain will carry me away. And oh, I do not want to die!"

Here Honeysuckle wept as if her heart would break, and her old father wept too, for the more she suffered the more he loved her.

Just then her face began to turn pale. "It is coming! The pain is coming, father! Very soon I shall be no more. Good-bye, father! Good-bye; good——." Here her voice broke and a great sob almost broke her father's heart. He turned away from her bedside; he could not bear to see her suffer. He walked outside and sat down on a rustic bench; his head fell upon his bosom, and the great salt tears trickled down his long grey beard.

As Mr. Min sat thus overcome with grief, he was startled at hearing a low whine. Looking up he saw, to his astonishment, a shaggy mountain dog about the size of a Newfoundland. The huge beast looked into the old man's eyes with so intelligent and human an expression, with such a sad and wistful gaze, that the greybeard addressed him, saying, "Why have you come? To cure my daughter?"

The dog replied with three short barks, wagging his tail vigorously and turning toward the half-opened door that led into the room where the girl lay.

By this time, willing to try any chance whatever of reviving his daughter, Mr. Min bade the animal follow him into Honeysuckle's apartment. Placing his forepaws upon the side of her bed, the dog looked long and steadily at the wasted form before him and held his ear intently for a moment over the maiden's heart. Then, with a slight cough he deposited from his mouth into her outstretched hand, a tiny stone. Touching her wrist with his right paw, he motioned to her to swallow the stone.

"Yes, my dear, obey him," counselled her father, as she turned to him inquiringly, "for good Dr. Dog has been sent to your bedside by the mountain fairies, who have heard of your illness and who wish to invite you back to life again."

Without further delay the sick girl, who was by this time almost burned away by the fever, raised her hand to her lips and swallowed the tiny charm. Wonder of wonders! No sooner had it passed her lips than a miracle occurred. The red flush passed away from her face, the pulse resumed its normal beat, the pains departed from her body, and she arose from the bed well and smiling.

Flinging her arms about her father's neck, she cried out in joy, "Oh, I am well again; well and happy; thanks to the medicine of the good physician."

The noble dog barked three times, wild with delight at hearing these tearful words of gratitude, bowed low, and put his nose in Honeysuckle's outstretched hand.

Mr. Min, greatly moved by his daughter's magical recovery, turned to the strange physician, saying, "Noble Sir, were it not for the form you have taken, for some unknown reason, I would willingly give four times the sum in silver that I promised for the cure of the girl, into your possession. As it is, I suppose you have no use for silver, but remember that so long as we live, whatever we have is yours for the asking, and I beg of you to prolong your visit, to make this the home of your old age—in short, remain here for ever as my guest—nay, as a member of my family."

The dog barked thrice, as if in assent. From that day he was treated as an equal by father and daughter. The many servants were commanded to obey his slightest whim, to serve him with the most expensive food on the market, to spare no expense in making him the happiest and best-fed dog in all the world. Day after day he ran at Honeysuckle's side as she gathered flowers in her garden, lay down before her door when she was resting, guarded her Sedan chair when she was carried by servants into the city. In short, they were constant companions; a stranger would have thought they had been friends from childhood.

One day, however, just as they were returning from a journey outside her father's compound, at the very instant when Honeysuckle was alighting from her chair, without a moment's warning, the huge animal dashed past the attendants, seized his beautiful mistress in his mouth, and before anyone could stop him, bore her off to the mountains. By the time the alarm was sounded, darkness had fallen over the valley and as the night was cloudy no trace could be found of the dog and his fair burden.

Once more the frantic father left no stone unturned to save his daughter. Huge rewards were offered, bands of woodmen scoured the mountains high and low, but, alas, no sign of the girl could be found! The unfortunate father gave up the search and began to prepare himself for the grave. There was nothing now left in life that he cared for—nothing but thoughts of his departed daughter. Honeysuckle was gone for ever.

"Alas!" said he, quoting the lines of a famous poet who had fallen into despair:

"My whiting hair would make an endless rope,

Yet would not measure all my depth of woe."

Several long years passed by; years of sorrow for the ageing man, pining for his departed daughter. One beautiful October day he was sitting in the very same pavilion where he had so often sat with his darling. His head was bowed forward on his breast, his forehead was lined with grief. A rustling of leaves attracted his attention. He looked up. Standing directly in front of him was Dr. Dog, and lo, riding on his back, clinging to the animal's shaggy hair, was Honeysuckle, his long-lost daughter; while standing near by were three of the handsomest boys he had ever set eyes upon!

"Ah, my daughter! My darling daughter, where have you been all these years?" cried the delighted father, pressing the girl to his aching breast. "Have you suffered many a cruel pain since you were snatched away so suddenly? Has your life been filled with sorrow?"

"Only at the thought of your grief," she replied, tenderly, stroking his forehead with her slender fingers; "only at the thought of your suffering; only at the thought of how I should like to see you every day and tell you that my husband was kind and good to me.  For you must know, dear father, this is no mere animal that stands beside you. This Dr. Dog, who cured me and claimed me as his bride because of your promise, is a great magician. He can change himself at will into a thousand shapes. He chooses to come here in the form of a mountain beast so that no one may penetrate the secret of his distant palace."

"Then he is your husband?" faltered the old man, gazing at the animal with a new expression on his wrinkled face.

"Yes; my kind and noble husband, the father of my three sons, your grandchildren, whom we have brought to pay you a visit."

"And where do you live?"

"In a wonderful cave in the heart of the great mountains; a beautiful cave whose walls and floors are covered with crystals, and encrusted with sparkling gems. The chairs and tables are set with jewels; the rooms are lighted by a thousand glittering diamonds. Oh, it is lovelier than the palace of the Son of Heaven himself! We feed of the flesh of wild deer and mountain goats, and fish from the clearest mountain stream. We drink cold water out of golden goblets, without first boiling it, for it is purity itself. We breathe fragrant air that blows through forests of pine and hemlock. We live only to love each other and our children, and oh, we are so happy! And you, father, you must come back with us to the great mountains and live there with us the rest of your days, which, the gods grant, may be very many."

'CLINGING TO THE ANIMAL'S SHAGGY HAIR WAS HONEYSUCKLE'
'CLINGING TO THE ANIMAL'S SHAGGY HAIR WAS HONEYSUCKLE'

The old man pressed his daughter once more to his breast and fondled the children, who clambered over him rejoicing at the discovery of a grandfather they had never seen before.

From Dr. Dog and his fair Honeysuckle are sprung, it is said, the well-known race of people called the Yus, who even now inhabit the mountainous regions of the Canton and Hunan provinces. It is not for this reason, however, that we have told the story here, but because we felt sure every reader would like to learn the secret of the dog that cured a sick girl and won her for his bride.

*************

While having a dog is supposed to be good for our health, somehow I doubt they are able to match Doctor Dog!

******************************* 

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Friday, August 21, 2026

Bailey - How Drakestail Went to the King - Keeping the Public in Public Domain

I've a program coming up where the audience requested stories about Farm Animals for Harvest season. They want me to start with "Stone Soup" and I plan to end with the "Bremen Town Musicians." Beyond that I began to list all the farm animals that came to mind. The last of ten animals I remembered were ducks and geese. 

With more possibilities than I have time to tell, I will use another favorite way to select my stories. I will write each animal and a story for it on slips of paper. Then they go into an open-mouthed container. For Halloween it would be a cauldron. This time it will be an old cast iron cooking pot. The audience pulls out a strip to determine each story I will tell.

While planning this I mentioned I had not yet looked up a story for ducks and geese to my friend and storytelling colleague, Priscilla Howe. Right away she had a favorite, "Drakestail" and even has a YouTube video of her telling it. 

Hmmm. That sounded interesting, but of course I wanted to prowl a bit further. Along the way I found even more versions of the story such as this picture book version

Denise McGill had created an alphabet book of fairy tales with Drakestail for the letter "D."

Beyond that,of course, Wikipedia has a brief article on it, including noting its use of repetition. I love to use repetition as a method of audience participation. Beyond those resources I was sure such a traditional tale would be found in Public Domain. I was right and found a version by Andrew Lang in his Red Fairy Book and another in The Fairy Ring by Kate Douglas Wiggin and Nora Archibald Smith. Those are indeed favorite authors, but it was Carolyn Sherwin Bailey's version in Once Upon a Time Animal Stories I liked the best. Her background as a storyteller shows why it will tell the best.

I'm giving it here, but looking at all those versions guarantees I'm going to incorporate ideas from more than just Bailey.  

HOW DRAKESTAIL WENT TO THE KING.


Once upon a time there was a wee little duck, with a very long tail, so he was called Drakestail. Now, Drakestail had some money of his very, very own, and the king asked if he might take it. So Drakestail loaned all his money to the king.

But the king kept Drakestail’s money for a year and a day, and still he did not send it back. Drakestail said he would go to the king and bring back the money himself.

So off he started, one very fine morning, for the king’s house. The sun was shining on the ponds, and Drakestail waddled along in the middle of the road, feeling very fine. As he traveled, he met a fox, and the fox said, “Where do you go this fine morning, Friend Drakestail?”

“To the king,” said Drakestail, “for he owes me money.”

“I will travel along with you,” said the fox.

“Ah,” said Drakestail, “your four legs would soon tire. Come along with me this way,” and he opened his wee little bill very wide, and down his wee little throat went the fox.

Then Drakestail traveled on a little farther. As he went he came to a ladder lying beside the road.

“Where do you go this fine morning, Friend Drakestail?” asked the ladder.

“To the king,” said Drakestail, “for he owes me money.”

“I will travel along with you,” said the ladder.

“Your wooden legs would soon tire,” said Drakestail. “Come along with me this way,” and he opened his little bill very wide, and down his wee little throat went the ladder.

Then Drakestail traveled on a bit farther until he came to his friend, the river, lying and glistening in the sunshine.

“Where do you go this fine morning, Friend Drakestail?” asked the river.

“To the king, for he owes me money,” said Drakestail.

“I will travel with you,” said the river.

“You would soon tire if you ran so far, my friend,” said Drakestail. “Come along with me this way.” He opened his wee bill very wide, and down his wee little throat went the little river.

Then Drakestail traveled and traveled until he came to the king’s house. Now Drakestail thought that the king would meet him at the gate, so he called out very loudly:

Honk! Honk! Drakestail waits at the gate.”

But the king did not come out to meet him. Who should appear at the gate but the king’s cook, and the cook took Drakestail by his two little legs and flung him into the poultry yard. The other fowls, who were ill-bred birds, ran up to Drakestail and bit him, and jeered at his large tail. It would have gone very badly with Drakestail, but he called to his friend, the fox:

“Reynard, Reynard, come out to the earth,
Or Drakestail’s life is of little worth.”

So the fox came out, and he ate up all the ill-bred fowls in the king’s poultry yard. But still Drakestail was badly off. He heard the king’s cook putting the broth pot over the fire.

“Ladder, ladder, come out to the wall,
Drakestail does not wish to be broth at all,”

he cried. So the ladder came out and leaned against the wall, and Drakestail climbed over in safety. But the king’s cook saw Drakestail and set out after him. He caught poor Drakestail and clapped him into the broth pot, and hung him over the fire.

“River, my sweetheart, put out this hot fire,
The flames that would cook me rise higher and higher,”

cried Drakestail. So the river put out the fire with a great noise and sputtering, which the king heard. And the king came running to the kitchen.

“Good morning to you, King,” said Drakestail, hopping out of the broth pot, and making a very low bow, “are you through with my money, which you have kept for a year and a day?”

“That I am, Drakestail,” said the king. “You shall have it at once.”

So the king gave Drakestail the money that he owed him, and Drakestail waddled home again to tell of all his travels.

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As I said I liked the repetition and definitely plan to have Drakestail  travel along with a waddle, waddle, waddle throughout the story. I'm not sure I'll use the comments in verse, but certainly plan to have the fox, the ladder and the river each have personalities. Now on to making strips with stories for each of those other animals.
 
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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

 

Friday, August 14, 2026

Telling Literary Stories

 

         Illustration by Ernest Howard Shepard from Winnie-the-Pooh (1926), by A A Milne

It's offiffiffic'al, the story and illustrations from A. A. Milne's classic Winnie-the-Pooh is now in the Public Domain.  This means the many adventures in the Hundred Acre Wood that A. A. Milne wrote are now available for reprinting or storytelling.

What is NOT Public Domain are the various ways Walt Disney Productions has used the stories and created their own illustrations. 

For a thorough discussion of this I recommend the Wikipedia article, Winnie-the-Pooh . It also references Winnie the Pooh (Disney character)

The popularity of Milne's character brings up a storytelling issue not limited to this lovable teddy bear. How do you handle literary stories?

The fact that Milne intentionally wrote the various adventures as short stories to be read to his son, the namesake for the character of Christopher Robin, also makes them easy to re-tell. That's precisely why today I want to explore the idea of telling -- or re-telling -- literary stories.

I believe storytelling by its very nature is re-telling. I realize ancient storytellers like the druids believed in training their students to tell their stories word-for-word. I also have known other storytellers with a theatre background who tell stories word-for-word. I, too, come from a theatre background, but feel rather like Pooh who is called a "bear of very little brain" as nowadays I tend to act more improvisationally. Frankly I just don't have the greatest memory and also find when storytelling it keeps the story "in the moment" as opposed to something that feels dead on a page.


If I chose to re-tell the Pooh stories I would certainly study the originals carefully. In the actual telling I would create a visual representation by bringing along a battered teddy bear. This would be rather like the way the New York Public Library did a display of the original Winnie-the-Pooh toys. I suspect they also read from the original book. I try strongly to correct anyone who says I am there to "read" a story if I have come to tell instead. After years as a children's librarian, that clarification sometimes is a bit "muddied" depending on if I am there as a librarian or as a storyteller.

So the question I want to bring to my fellow storytellers is: How do you handle literary stories? Do you attempt  word-for-word or do you re-tell those stories maintaining some of the original while summarizing the story and using your own words as needed?

I look forward to hearing from my fellow storytellers and will post replies here. 

 

Friday, August 7, 2026

Babbitt - The King's White Elephant - Keeping the Public in Public Domain

World Elephant Day is August 12 and there's always stories to tell about elephants. Additionally the World Wildlife Organization has so much to tell about them. They explain why these giants matter, the threats to them and, most importantly, what they are doing to reduce conflict between people and elephants. When I mentioned tigers two articles back before World Tiger Day on July 29, I should have mentioned the World Wildlife Fund works on these endangered animals to reduce not only threats to them, but reduce the conflict with people as that, too, threatens them. In fact it is often their biggest threat. Both these wonderful animals need our help.

 

Once before I told an elephant story for World Elephant Day and confess "The Elephant and the Dog" is my favorite elephant story. It is found in More Jataka Tales.  Its predecessor, Jataka Tales by Ellen C. Babbitt, includes a story about a white elephant. I tried Everywhere! to find a story illustrating the common term "white elephant" meaning a gift that is not wanted. That meaning is discussed often. The most thorough is at Everything-everywhere.com  but the idea of a king (usually of Siam) gifting an elephant knowing it would financially ruin the recipient seems to have no folklore connected with it. 

Surely telling the common use of the term "white elephant" should precede telling today's tale, and I would also follow it with "The Elephant and the Dog ."

One quick note about reprinting this story, it wasn't evident that each of the silhouetted drawings by Ellsworth Young were captioned from the text. The final one confused me at first, so I added parentheses.

THE KING'S WHITE ELEPHANT

Once upon a time a number of carpenters lived on a river bank near a large forest. Every day the carpenters went in boats to the forest to cut down the trees and make them into lumber.

One day while they were at work an Elephant came limping on three feet to them. He held up one foot and the carpenters saw that it was swollen and sore. Then the Elephant lay down and the men saw that there was a great splinter in the sore foot. They pulled it out and washed the sore carefully so that in a short time it would be well again.

Thankful for the cure, the Elephant thought: "These carpenters have done so much for me, I must be useful to them."

So after that the Elephant used to pull up trees for the carpenters. Sometimes when the trees were chopped down he would roll the logs down to the river. Other times he brought their tools for them. And the carpenters used to feed him well morning, noon and night.

(He held up one foot and the carpenters saw that it was swollen and sore.)

Now this Elephant had a son who was white all over—a beautiful, strong young one. Said the old Elephant to himself, "I will take my son to the place in the forest where I go to work each day so that he may learn to help the carpenters, for I am no longer young and strong."

(The Elephant used to pull up trees for the carpenters.)

So the old Elephant told his son how the carpenters had taken good care of him when he was badly hurt and took him to them. The white Elephant did as his father told him to do and helped the carpenters and they fed him well.

When the work was done at night the young Elephant went to play in the river. The carpenters' children played with him, in the water and on the bank. He liked to pick them up in his trunk and set them on the high branches of the trees and then let them climb down on his back.

(With a last look at his playmates the beautiful white Elephant went on with the king.)

One day the king came down the river and saw this beautiful white Elephant working for the carpenters. The king at once wanted the Elephant for his own and paid the carpenters a great price for him. Then with a last look at his playmates, the children, the beautiful white Elephant went on with the king.

The king was proud of his new Elephant and took the best care of him as long as he lived.


May your stories be as great a gift as the white elephant in this story. We may not be kings able to have such magnificent creatures, but we can support them with World Elephant Day.

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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Thursday, July 30, 2026

Marshall - The Battle of Bannockburn - Keeping the Public in Public Domain

 


The first Saturday in August is always the St. Andrew's Society of Detroit's Annual Highland Games and this year is the 177th! 

Scots have a long memory! 

On this blog in 2025 I told the story of the Battle of Bannockburn and look forward to sharing it again at the Games. I will be telling at the Wee Bairns area. That name is slightly misleading for the Wee Bairns is actually aimed at sharing Scottish culture for all ages.

The version I used here in 2025 was difficult to read online. I suggest going to its source The history of England by Arnold-Foster where it's slightly larger than was able to be produced here. As I mentioned then, it's an English version of the battle, but "one of the easiest Public Domain summaries of the major facts." 

I also mentioned  Scotland's Story: A history of Scotland for Boys and Girls by H. E. (Henrietta Elizabeth) Marshall. At that time giving a picture from the chapter on "The Bruce killing de Bohun at the Battle of Bannockburn." That picture was from Marshall's chapter on the day before the battle. Here is her description of the actual battle. 


 

I think both the Arnold-Foster and Marshall versions are worth knowing as they point out different things, including looking at the results from both perspectives. Arnold -Foster looking at the "unfortunate" reign of Edward II and its end. Marshall points to the way the Scots treated the English, both the dead and their prisoners in what was "more kind to these prisoners than was usually the case in those wild days." At the same time she points to Bruce getting back "his wife, daughter, and sisters, and the other noble ladies who had been kept in English prisons for eight years." Both point out that from then on Scotland was never ruled by a foreign king.

Personally I wish Marshall had said more about the schiltrons the Scots used. That use of spears and sabotaging the terrain permitted the smaller Scottish force of 6,000 to defeat the roughly 30,000 of the invading English. 

A Wikipedia overview of the Battle of Bannockburn is not as engrossing as actual visiting the Bannockburn Visitor Centre where they do an outstanding job of putting you in the experience.

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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."