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Friday, March 13, 2026

MacManus (Klingensmith adaptation) - Billy Beg and His Bull (Part 2) - Keeping the Public in Public Domain

Illustration by Patten Wilson in Best Stories to Tell to Children by Sara Cone Bryant

The story of Billy Beg continues after his bull was killed.

*** 

After three days he came to a farm that belonged to an old gentleman.

Billy asked the old gentleman for work. The old gentleman said he wanted such a boy to herd the cattle. Billy asked what cattle he would have to herd and what wages he would get.

"Three goats, three cows, three horses, and three donkeys,” said the old gentleman, "but no boy that goes to herd them ever comes home alive. There are three giants, brothers, that come to milk the goats and cows, and always kill the herd boy, so we will not say what wages till we see if you come back alive.”

"All right,” said Billy. 

So next morning he got up early, drove out the three goats, the three cows, the three horses, and the three donkeys to the pasture field.

At noon Billy heard three terrible roars that shook the nuts off the trees, and up came a giant with three heads.

"You are too big for one bite, and too small for two," said the giant, "What shall I do with you?’’ 

"I'll fight you,’’ said Billy.

Billy soon made a sword of his stick by swinging it three times round his head.

"How shall I kill you'? Shall it be by a swing from the back, a cut of the sword, or by a blow from my fist?” 

"By a swing from the back if you can,” said Billy.

So they both laid hold, and Billy lifted the giant off his feet and brought him down so hard that he sank into the ground up to his arms.

 "Oh, have mercy,” said the giant.

But Billy cut off his heads with his sword.

It was evening when the fight was over. So Billy drove home the three goats, three cows, the three horses, and the three donkeys. All the pails and kettles and bowls in the house wouldn’t hold the milk the cows gave that night.

''Well,” said the old gentleman, "you are the first herd boy that ever came back alive, and this is the first time the cows ever gave any milk. Didn’t you see anything in the pasture?’

"Nothing worse than myself,’’ said Billy. "What about my wages now?”

"Well,” said the old gentleman, "I think you won’t come back alive to-morrow, so we will wait and see.”

Next morning the old gentleman told Billy something must have happened to one of the giants, for he had only heard two of them roaring.

After breakfast Billy set off with the three goats, the three cows, the three horses, and the three donkeys. About twelve he heard six terrible roars that shook the nuts off the trees and made his hair stand on end, and along came a frightful giant with six heads.

"You killed my brother yesterday,” roared the giant with his six mouths, but I will pay you to-day. You are too big for one bite and too small for two. What shall I do with you?”

"I’ll fight you,” said Billy, swinging his stick three times round his head to make it turn into a sword and give him the strength of a thousand men.

The giant laughed at his size and said, "How shall I kill you? With a swing from the back, a cut of the sword, or a blow from my fist?”

"With a swing from the back, if you can,” said Billy.

So they both laid hold and Billy lifted him off his feet and sunk him into the ground up to his arms.

 ‘‘Oh, mercy, cried the giant, but Billy cut off his six heads.

It was evening by that time and Billy drove the three goats, the three cows, the three horses and the three donkeys to the barn. The milk the cows gave that night overflowed all the pails and kettles and bowls in the house. Running out it made a brook and turned an old mill that hadn’t been turned in thirty years.

The old gentleman was ten times as much surprised to see Billy alive as he had been the day before.

“Didn’t you see anything in the pasture to-day?” said he.

“Nothing worse than myself,” said Billy. “What about my wages now?”

“Never mind about your wages till to-morrow,” said the old gentleman. “If you come back alive, we’ll see then.”

In the morning the old gentleman said, “I only heard one giant roaring last night. The other two must be ill.”

“Perhaps they are dead,” said Billy, as he drove out the three goats, the three cows, the three horses, and the three donkeys.

At noon Billy heard so many roars, he couldn’t count them. He looked about and saw a giant as big as the other two together, with twelve heads.

“You villain,” roared the giant. “You killed my two brothers, but I’ll be even with you. You are too big for one bite and too small for two. How would you rather be killed — by a swing from the back, or a cut from the sword, or by a blow from the fist?”

"By a swing from the back,” said Billy, waving his stick three times around his head.

The giant laughed at Billy’s size and they both laid hold. Billy swung the giant in the air and sunk him into the ground, just as he had the other two. Then he cut off his twelve heads and drove home the three goats, the three horses, and the three donkeys.

The milk that the cows gave that night ran down into a valley, where it made a lake three miles long, and three miles wide, and three miles deep.

"Did you see nothing in the pasture to-day?” said the old gentleman.

"Nothing worse than myself,” said Billy. "What about my wages now?”

"You are a good herd boy,” said the old gentleman, "and I can’t get along well without you, so I will give you whatever you ask.”

Next morning the old gentleman said to Billy, "I heard none of the giants roaring last night. I wonder what has happened to them?”

"Perhaps they are all dead,” said Billy.

"Well, good luck to the lad that killed them then,” said the old gentleman. "Now you must mind the cattle again to-day, Billy, while I go to see the fight.’’

‘‘What fight?” said Billy.
 
“The king’s daughter is going to be devoured by a fiery dragon, if somebody doesn’t kill it,” said the old gentleman. “The greatest fighter in the kingdom has been practicing for three months to get ready for the fight. If he can kill the dragon the king will give him the princess for his wife.”

Billy drove the three goats, the three cows, and the three horses, and the three donkeys to pasture. While they were feeding he watched the people go by. Never had he seen the like of it. They went in coaches and carriages, on horses and donkeys and oxen, and riding and running and walking.

“Why don’t you come to see the fight, my boy?” said a man who passed by.

“Would they let me in?” said Billy.

“Of course they would,” said the man. “Everybody is to have a seat.”

When they were all gone, Billy put on the old gentleman’s best suit and rode off to see the fight on the best horse in the stable.

At the king’s palace, Billy saw the king’s daughter with the whole court sitting around her on a high platform. Down below the great warrior, who was to fight the dragon, was walking up and down with three men to carry his sword. But when the fiery dragon came up roaring and spitting fire from every one of his twelve heads, the great warrior ran away and hid himself in a well, up to his mouth in water.

Then the princess began to weep and say, "Will nobody fight the dragon and save my life?"

Nobody stirred until Billy put his hide belt around his waist, waved his stick three times around his head, and after a terrible fight, killed the dragon.

Everybody ran to look at the dead dragon. While they were looking, Billy jumped upon his horse and was running away. Nobody noticed him but the princess. She caught his foot and tried to hold him, but he slipped away from her leaving his shoe in her hand.

Billy had changed his clothes and brought in all the cattle by the time the old gentleman got home. The old gentleman began at once to tell him about the great fight, how the warrior had hidden in the well, and how a handsome young man had come down out of the clouds on a black horse, killed the dragon, and flown up into the sky again. "Wasn't it wonderful?’’ said the old gentleman.
 
"Oh, very wonderful,” said Billy.

After that it was given out that all the young men in the kingdom should come to the king’s palace to try on the shoe. When the day came Billy was in the pasture as usual with the three cows, the three horses, the three goats, and the three donkeys.

Everybody called to him, "Aren't you going to try on the shoe?’
 
"They wouldn’t let the like of me try it on,” said Billy.

When the people had all passed by, there came a ragged man like a scarecrow, his clothes were so old. Billy stopped him and said, "How much boot will you take and trade clothes with me?”
 
"No jokes about my ragged clothes, or you may feel the weight of my stick,” said the ragged man.

But Billy let him know that he was in earnest. So they traded clothes and Billy gave the ragged man boot.

Billy started off to the palace with the ragged clothes on his back and a stick in his hand. When he got there everybody was crowding and pushing to get a chance to try the shoe on. But it fitted nobody.

Then Billy said, "Let me try it.” All the people laughed and shoved him back, because he was so ragged. But the princess told them to let him try on the shoe. Very soon they all quit laughing, for the shoe fitted Billy exactly.

So Billy married the princess and the wedding lasted nine days, and nine hours, and nine minutes, and nine seconds, and they lived happy for ever after.

Adapted from Seumas McManus
 
***
I don't like to say this is considered "an Irish Cinderella" until after I tell it. They certainly fit in a lot beyond the shoe fitting Billy. 
 
While telling Irish stories, why not try adding green food coloring to a vase of water? After the color is mixed into the water, place white flowers into the water. In minutes, the flowers will be transformed into vibrant, green flowers. 

***********

This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Friday, March 6, 2026

MacManus (Klingensmith adaptation) - Billy Beg and His Bull - Keeping the Public in Public Domain

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjj4ElJVDHFwI9NShfJ9UF60-KzGlcdTkZpDoMsUsCEo171PESSSTZt0OG-8oa7pvIfwumxNvk6p5_LMHMJokKId8zEqrtX_fF9A85C1BCbF63858w1W8utuxMOihH7w-uKyQqF5pUsv-F25X0Bu5Vomk-Xh8S4_sK8yAakYVdf34RZz-Q/s1600/kelly-sikkema-4_cK-T0_TD4-unsplash.jpg
Photo by Kelly Sikkema on Unsplash

As March begins I'm already seeing decorations and people wearing green clothes, all are obviously celebrating Saint Patrick's Day on March 17.  I have a program coming up of Irish stories and went looking to see what I should tell. Of course I'm going to tell Olcott's "2 short stories about St. Patrick Driving Snakes Out of Ireland."  They are a lot of fun. I have a short tale of a leprechaun and his pot of gold. I also have an Irish tale of a piper and a mermaid I've told for a great many years. Putting them all together it still seemed short so I went to the Virginia Hamilton series that all begin "Favorite Fairy Tales Told in . . . " There on the cover was today's tale of "Billy Beg and His Bull." 

Something crazy is happening with Blogger's handling of images. At first I thought the problem was that the cover of the Haviland book is under copyright. It did the same with my attempt to show the cover of a picture book version, by Ellin Greene. There was an illustration in the Public Domain version of the tale by Sara Cone Bryant that was also rejected. However it also rejected a photo from Unsplash that was clearly available (although I would give credit to the photographer). Just as I was about to give up, I found a way to handle the Unsplash image.

The same happened with the story, but Archive.org let me highlight the text and copy it so that it is here below. 


It's a fairly long story and, while I had seen Ellin Greene's picture book of it ages ago, I had never read it. Maybe I hadn't, but people like Sara Cone Bryant and the sister team of Kate Douglas Wiggin and Nora Archibald Smith all told versions of the story originally found in the Irish anthology, In Chimney Corners, by Seumas MacManus

I looked at all their versions after learning the story from Haviland. There was always credit going back to MacManus. Seeing a little known book titled Just Stories by Annie Klingensmith had the story and called it's version of the story "Adapted", I looked at it, too. The adaptation is minor, but I liked it the best of all four of the versions. (It even called the queen's confederate a "witch" instead of a "hen wife" which doesn't work half as well for American listeners.) The repetition, which is so much a part of this story is still there, but somehow it feels a bit more manageable. Hamilton's copyrighted version takes out even a bit more repetition while still keeping some to maintain the Irish feeling.
 
Because the story is so long, I'm going to stop it at about the halfway point with the rest of the story continued next week. If you want to see the rest of the story online right now, the link to Just Stories has it all.

*** 

Billy Beg and His Bull

ONCE upon a time there were a king and queen who had one son called Billy Beg. The queen gave Billy a bull. Billy was very fond of the bull and the bull was very fond of Billy.

When Billy was grown to be a young man the queen died. With her last breath, she asked the king not to part Billy and his bull. The king promised, come what might, come what may, he never would.

After some time the king married again. The new queen did not like Billy and she liked his bull still less. She tried to get the king to kill the bull, but the king would not break his promise. So the queen went to a witch to ask what to do.

The witch said, "What will you give me to rid you of the bull?’

"Anything you ask,’’ said the queen. 

"Very well, then,” said the witch, "you take to your bed very ill, and call me for your nurse.”

So the queen took to her bed very ill, and the witch was called. When the king came in to see how the queen was, the witch said, There is only one thing that will save her life?” 

"What is that?” said the king. 

"Three mouthfuls of the blood of Billy Beg's bull" said the witch.

But the king would not hear of breaking his promise to Billy’s mother.

The queen grew worse and worse for three days, and then the king gave up and said the bull should be killed.

When Billy heard that his bull was to be killed he became very down-hearted, and went about looking very sad. The bull saw him and asked what was wrong. Billy told the bull what was wrong, and the bull said, "Cheer up. Do as I tell you, and the queen will never get any of my blood.”

The next day the bull was led up to be killed and Billy came and stood near him. "Jump on my back, Billy,” said the bull, and up Billy jumped.

With that the bull leaped nine miles high, nine miles deep, and nine miles broad, and came down with Billy sticking between his horns. Then away he rushed over the top of the queen and away he ran where you wouldn’t know night from day nor day from night, over high hills and low hills, sheep walks and bullock traces, the Cove of Cork, and old Tom Fox with his bugle horn.

At last they stopped. "Now Billy,” said the bull, ''put your hand into my left ear and take out a napkin you will find there. When you spread the napkin out. it will be covered with eating and drinking fit for a king."

Billy did as he was told. Sure enough, when he spread the napkin out, it was covered with eating and drinking fit for a king. Billy ate and drank and put the napkin back where he got it.

Then says the bull, "Put your hand into my right ear and you will find a stick. Wave the stick three times and it will be turned into a sword and give you the strength of a thousand men. When you have no need of a sword it will turn back into a stick again.”

Billy did as he was told. Then said the bull, "At twelve o’clock to-morrow, I shall have to meet and fight a great bull. So get on my back and let us be off.”

So Billy jumped on the bull’s back, and away went the bull, where you wouldn’t know night from day nor day from night, over high hills and low hills, sheep walks and bullock traces, the Cove of Cork, and old Tom Fox and his bugle horn. There he met the other bull and they fought, and such a fight was never seen before nor since. They knocked the soft ground into hard, and the hard into soft, the soft into spring wells, the spring wells into rocks, and the rocks into high hills.

They fought till Billy Beg’s bull killed the other. Then Billy took out the napkin and had a good dinner. After dinner the bull said to Billy, ‘‘Tomorrow at twelve o’clock, I have to meet the brother of the bull I have just killed. He is bigger than the other bull and I shall have a hard fight.”

So Billy got on the bull’s back again and the bull started off and away again where you wouldn’t know night from day nor day from night, over high hills and low hills, sheep walks and bullock traces, the Cove of Cork, and old Tom Fox with his bugle horn. There they met the brother of the bull that Billy’s bull had killed and they at it and fought.

The like of the fight was never seen before or since. They knocked the soft ground into hard and the hard into soft, the soft into spring wells, and the spring wells into rocks, and the rocks into high hills.

They fought long and hard and at last Billy’s bull killed the other bull. Then Billy ate and drank as before and the bull said, "Tomorrow I must meet and fight the brother of the two bulls I killed. He is stronger than the others and will kill me. When I am dead take the napkin and the stick with you. Then you will never be hungry, and with the stick you can overcome any thing you fight with. Cut a strip of my hide for a belt. As long as you wear the belt nothing can kill you.”

Billy was very sorry to hear that the bull would be killed but he got on his back and they started off and away where you wouldn’t know night from day nor day from night, over high hills and low hills, sheep walks and bullock traces, the Cove of Cork, and old Tom Fox with his bugle horn.

Sure enough, the next day at twelve, they met the great bull, and the two bulls at it and fought.

Such a fight was never seen before or since. They knocked the soft ground into hard, and the hard into soft, the soft into spring wells, the spring wells into rocks, and the rocks into high hills. They fought long, but at last the other bull killed Billy’s.

Billy was so sorry that he sat beside his bull two days without eating and cried all the time. Then he cut himself a belt of the bull’s hide and set off with the napkin and the stick to seek his fortune. After three days he came to a farm that belonged to an old gentleman.

***

The story now takes a major turn away from the bull, but using all the bull gave to Billy. 

To use a bit of Irish dialect: Sure and 'tis a fine story worth hearing it all. I had problems with the Blogger graphics. At first it seemed it might mean future posts are text only. If that happens it's still a story worth waiting to hear. It also might remove the illustrations in other stories, but storytelling is all about seeing the stories in your mind, so I hope this doesn't stop you finding stories worth telling.

*********** 

Friday, February 27, 2026

Antrim and Sly - The Fire Bringer - Keeping the Public in Public Domain

Some people believe strongly in finding and combining multiple versions of a story. Others believe just as strongly you should find a story and stick to it without changes, especially using the oldest version available.

Many stories are "retold" and the story of Coyote bringing fire to Native Americans seems appropriate to show variations in telling. (Another story from the area has Raven spilling languages all over the Pacific Northwest to explain the linguistic variety.) There are many groups in the Pacific Northwest telling this story and the variations are minor.. The most common credit goes to the Karuk, but it is also told by others. 

Teachers can find a kit to use the story at TPT or Teachers Pay Teachers. With all the cold around most of our continent, it seems like a great idea to explore the story of how people received heat.

I notice Mary Antrim's The Basket Woman doesn't name the nation whose version she is retelling. To my mind she further messes it up as the book uses a "frame" to tell the stories to a child. Nowadays that is rarely done, but many anthologies now in Public Domain used frames.

Retelling stories, however, continues to this day. I'm going to give both Antrim's version and follow it with a highly abridged version found in World Stories Retold for Modern Boys and Girls by William James Sly. 

THE FIRE BRINGER

This is one of the stories that Alan had from the Basket Woman after she came to understand that the boy really loved her tales and believed them. She would sit by the spring with her hands clasped across her knees while the clothes boiled and Alan fed the fire with broken brush, and tell him wonder stories as long as the time allowed, which was never so long as the boy liked to hear them. The story of the Fire Bringer gave him the greatest delight, and he made a game of it to play with little Indian boys from the campoodie who sometimes strayed in the direction of the homesteader's cabin. It was the story that came oftenest to his mind when he lay in his bed at night, and saw the stars in the windy sky shine through the cabin window.

He heard of it so often and thought of it so much that at last it seemed to him that he had been part of the story himself, but his mother said he must have dreamed it. The experience came to him in this way: He had gone with his father to the mountains for a load of wood, a two days' journey from home, and they had taken their blankets to sleep upon the ground, which was the first time of Alan's doing so. It was the time of year when white gilias, which the children call "evening snow," were in bloom, and their musky scent was mingled with the warm air in the soft dark all about him.

He heard the camp-fire snap and whisper, and saw the flicker of it brighten and die on the lower branches of the pines. He looked up and saw the stars in the deep velvet void, and now and then one fell from it, trailing all across the sky. Small winds moved in the tops of the sage and trod lightly in the dark, blossomy grass. Near by them ran a flooding creek, the sound of it among the stones like low-toned, cheerful talk. Familiar voices seemed to rise through it and approach distinctness. The boy lay in his blanket harking to one recurring note, until quite suddenly it separated itself from the babble and called to him in the Basket Woman's voice. He was sure it was she who spoke his name, though he could not see her; and got up on his feet at once. He knew, too, that he was Alan, and yet it seemed, without seeming strange, that he was the boy of the story who was afterward to be called the Fire Bringer. The skin of his body was dark and shining, with straight, black locks cropped at his shoulders, and he wore no clothing but a scrap of deerskin belted with a wisp of bark. He ran free on the mesa and mountain where he would, and carried in his hand a cleft stick that had a longish rounded stone caught in the cleft and held by strips of skin. By this he knew he had waked up into the time of which the Basket Woman had told him, before fire was brought to the tribes, when men and beasts talked together with understanding, and the Coyote was the Friend and Counselor of man. They ranged together by wood and open swale, the boy who was to be called Fire Bringer and the keen, the wilderness, and saw the tribesmen catching fish in the creeks with their hands and the women digging roots with sharp stones. This they did in summer and fared well, but when winter came they ran nakedly in the snow or huddled in caves of the rocks and were very miserable. When the boy saw this he was very unhappy, and brooded over it until the Coyote noticed it.

"It is because my people suffer and have no way to escape the cold," said the boy.

"I do not feel it," said the Coyote.

"That is because of your coat of good fur, which my people have not, except they take it in the chase, and it is hard to come by."

"Let them run about, then," said the Counselor, "and keep warm."

"They run till they are weary," said the boy, "and there are the young children and the very old. Is there no way for them?"

"Come," said the Coyote, "let us go to the hunt."

"I will hunt no more," the boy answered him, "until I have found a way to save my people from the cold. Help me, O Counselor!"

But the Coyote had run away. After a time he came back and found the boy still troubled in his mind.

"There is a way, O Man Friend," said the Coyote, "and you and I must take it together, but it is very hard."

"I will not fail of my part," said the boy.

"We will need a hundred men and women, strong and swift runners."

"I will find them," the boy insisted, "only tell me."

"We must go," said the Coyote, "to the Burning Mountain by the Big Water and bring fire to your people."

Said the boy, "What is fire?"

Then the Coyote considered a long time how he should tell the boy what fire is. "It is," said he, "red like a flower, yet it is no flower; neither is it a beast, though it runs in the grass and rages in the wood and devours all. It is very fierce and hurtful and stays not for asking, yet if it is kept among stones and fed with small sticks, it will serve the people well and keep them warm."

"How is it to be come at?"

"It has its lair in the Burning Mountain, and the Fire Spirits guard it night and day. It is a hundred days' journey from this place, and because of the jealousy of the Fire Spirits no man dare go near it. But I, because all beasts are known to fear it much, may approach it without hurt and, it may be, bring you a brand from the burning. Then you must have strong runners for every one of the hundred days to bring it safely home."

"I will go and get them," said the boy; but it was not so easily done as said. Many there were who were slothful and many were afraid, but the most disbelieved it wholly, for, they said, "How should this boy tell us of a thing of which we have never heard!" But at the last the boy and their own misery persuaded them.

The Coyote advised them how the march should begin. The boy and the Counselor went foremost, next to them the swiftest runners, with the others following in the order of their strength and speed. They left the place of their home and went over the high mountains where great jagged peaks stand up above the snow, and down the way the streams led through a long stretch of giant wood where the sombre shade and the sound of the wind in the branches made them afraid. At nightfall where they rested one stayed in that place, and the next night another dropped behind, and so it was at the end of each day's journey. They crossed a great plain where waters of mirage rolled over a cracked and parching earth and the rim of the world was hidden in a bluish mist; so they came at last to another range of hills, not so high but tumbled thickly together, and beyond these, at the end of the hundred days, to the Big Water quaking along the sand at the foot of the Burning Mountain.

It stood up in a high and peaked cone, and the smoke of its burning rolled out and broke along the sky. By night the glare of it reddened the waves far out on the Big Water when the Fire Spirits began their dance.[

Then said the Counselor to the boy who was soon to be called the Fire Bringer, "Do you stay here until I bring you a brand from the burning; be ready and right for running, and lose no time, for I shall be far spent when I come again, and the Fire Spirits will pursue me." Then he went up the mountain, and the Fire Spirits when they saw him come were laughing and very merry, for his appearance was much against him. Lean he was, and his coat much the worse for the long way he had come. Slinking he looked, inconsiderable, scurvy, and mean, as he has always looked, and it served him as well then as it serves him now. So the Fire Spirits only laughed, and paid him no farther heed. Along in the night, when they came out to begin their dance about the mountain, the Coyote stole the fire and began to run away with it down the slope of the Burning Mountain. When the Fire Spirits saw what he had done, they streamed out after him red and angry in pursuit, with a sound like a swarm of bees.

The boy saw them come, and stood up in his place clean limbed and taut for running. He saw the sparks of the brand stream back along the Coyote's flanks as he carried it in his mouth and stretched forward on the trail, bright against the dark bulk of the mountain like a falling star. He heard the singing sound of the Fire Spirits behind and the labored breath of the Counselor nearing through the dark. Then the good beast panted down beside him, and the brand dropped from his jaws. The boy caught it up, standing bent for the running as a bow to speeding the arrow; out he shot on the homeward path, and the Fire Spirits snapped and sung behind him. Fast as they pursued he fled faster, until he saw the next runner stand up in his place to receive the brand. So it passed from hand to hand, and the Fire Spirits tore after it through the scrub until they came to the mountains of the snows. These they could not pass, and the dark, sleek runners with the backward-streaming brand bore it forward, shining star-like in the night, glowing red through sultry noons, violet pale in twilight glooms, until they came in safety to their own land. Here they kept it among stones, and fed it with small sticks, as the Coyote had advised, until it warmed them and cooked their food. As for the boy by whom fire came to the tribes, he was called the Fire Bringer while he lived, and after that, since there was no other with so good a right to the name, it fell to the Coyote; and this is the sign that the tale is true, for all along his lean flanks the fur is singed and yellow as it was by the flames that blew backward from the brand when he brought it down from the Burning Mountain. As for the fire, that went on broadening and brightening and giving out a cheery sound until it broadened into the light of day, and Alan sat up to hear it crackling under the coffee-pot, where his father was cooking their breakfast.

***

and now Sly's very abridged version. 

THE COYOTE AND THE INDIAN FIRE-BRINGER

One cold winter’s day, long, long ago, when the Coyote was the friend and the counselor of the Indian, a Boy of one of the tribes was ranging through a mountain forest with a big, gray Coyote. The poor Indians ran naked in the snow or huddled in caves in the rocks, and were suffering terribly in the cold. The Boy said, “I am sorry for the misery of my people.” “I do not feel the cold,” said the Coyote. “You have a coat of fur,” said the Boy, “and my people have not. I will hunt with you no more until I have found a way to make my people warm in the winter’s cold. Help me, O counselor.” The Coyote ran away, and when he came back, after a long time, he said, “I have a way, but it’s a hard way.” “No way is too hard,” said the Boy. So the Coyote told him they must go to the Burning Mountain to bring fire to the people. “What is fire?” asked the Boy. “Fire is red like a flower, yet not a flower; swift to run in the grass and destroy, like a beast, yet not a beast; fierce and beautiful, yet a good servant to keep one warm, if kept among stones and fed with sticks.”

“We will get the fire,” said the Boy. So the Boy and the Coyote started off with one hundred swift runners for the far-away Burning Mountain. At the end of the first day’s trail they left the weakest of the runners to wait; at the end of the second day the next stronger, and so for each of the hundred days; and the Boy was the strongest runner and went to the last trail with the Coyote. At last the two stood at the foot of the Burning Mountain, from which smoke rolled out. Then the Coyote said to the Boy, “Stay here till I bring you a brand from the burning. Be ready for running, for I shall be faint when I reach you, and the Fire-spirits will pursue me.” Up the mountainside he went. He looked so slinking and so small and so mean, the Fire-spirits laughed at him. But in the night, as the Fire-spirits were dancing about the mountain, the Coyote stole the fire and ran with it fast away from the Fire-spirits who, red and angry, gave chase after him, but could not overtake him. The Boy saw him coming, like a falling star against the mountain, with the fire in his mouth, the sparks of which streamed out along his sides. As soon as the Coyote got near, the Boy took the brand from his jaws and was off, like an arrow from a bent bow, till he reached the next runner, who stood with his head bent for running. To him he passed it, and he was off and away, and the spiteful Fire-spirits were hot in chase. So the brand passed from hand to hand and the Fire-spirits tore after each runner through the country, but they came to the mountains of the snows ahead and could not pass. Then the swift runners, one after the other bore it forward, shining starlight in the night, glowing red in the sultry noons, pale in the twilight, until they came safely to their own land. There they kept the fire among the stones and fed it with sticks, as the Coyote had said, and it kept the people warm.

Ever after, the Boy was called the Fire-bringer, and the Indians said the Coyote still bears the mark of fire, because his flanks are singed and yellow from the flames that streamed backward from the firebrand that night in the long ago.—Adapted from “The Basket Woman,” by Mary Antrim.

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While I have no idea who Ellsworth might be, I love Sly's dedication to the book:

TO

Ellsworth

AND

THE HOSTS OF BOYS AND GIRLS SCATTERED
EVERYWHERE TO WHOM I HAVE TOLD
MANY OF THESE STORIES AND FROM
WHOM I HAVE RECEIVED WARM
APPRECIATION AND LOVE

Like Sly, I love telling stories and just thinking about telling this to a group makes me a slight bit warmer. The story has been loved by many including a variety of illustrators for book versions. My favorite is the version where I first found the story. I discovered this is not the first time I mentioned that book in an earlier article here without the story, but telling about the Karuk. It's also definitely not the first time I talked about fire as there are many stories about it on this blog.

It was retold by Jonathan London and illustrated by Sylvia Long

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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."


 

 

 

Friday, February 20, 2026

Fortier - The Tortoise - Keeping the public in Public Domain

Trying to be true to both Public Domain limits and Black History month unfortunately means stories gathered by white folklorists. Joel Chandler Harris is the best known of these for his seven volumes of Uncle Remus stories. Frankly the folkloristic attempt at using a Black dialect is probably one of the biggest problems at using such stories. 

Alcee Fortier  gets around that by publishing both a dialect version and then re-tells it in his Louisiana Folk-tales as explained by the book's subtitle, "In French dialect and English translation."  Because of this I find his collection may at times be similar to the trickster stories of Harris, but they are far more readable. He calls them Creole stories, but his Preface points to their African and "Negro" origin. The story of the Tortoise certainly has such origins.

Here's a photo of such a tortoise that just looks as if it's laughing at outwitting everybody. 
Photo by David Cadenas on Unsplash 

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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."


Friday, February 13, 2026

Bailey - The Coach in the Forest - Keeping the Public in Public Domain

As https://www.history.com/ so aptly put it, "For being the year’s shortest month, February sure comes chock-full of holidays and major events. Between Valentine’s Day, Presidents’ Day, Groundhog Day, Black History Month, the Super Bowl, and sometimes Lunar New Year and Ramadan, there’s plenty to celebrate." That quote also gives a variety of their coverage to explore. As if that wasn't enough they also have The Surprising History of February.

I was all prepared, since this will be the Lunar Year of the Horse, to tell a horse story, but several of these holiday happen right now, including February 17 is also the day for a "Rare ‘Ring of Fire’ Solar Eclipse to Ignite Skies on Feb. 17 as Moon Falls Short of Covering the Sun. Astronomers refer to this phenomenon as an annular eclipse, a name derived from the Latin word annulus, meaning ring.   Because the path of annularity lies almost entirely over Antarctica and the Southern Ocean, opportunities to see the full ring in person will be extremely limited. Only Antarctic researchers and extreme travelers are likely to witness it firsthand while millions in South America and southern Africa will see a partial eclipse, and even livestream coverage may be difficult due to the region’s harsh conditions.

Since so few will be able to see that Solar Eclipse I decided to hunt for a story that combined two holidays since there's no way to cover everything this February. 

With the America 250 celebration begun, I decided to go to this story of George Washington traveling to the temporary capital in Philadelphia. The role of the horse in the story is relatively minor. 

Washington by John Trumbull - 1790

The story is from Carolyn Sherwin Bailey. I'm not surprised as she was a great storyteller with many books, some of which include holidays. I haven't ever included any from Friendly Tales before. Bailey talks about the stories in this book as being for a new developmental stage. "At first he is ego-centric, interested in himself alone, but there comes a stage in the development of every child when it is necessary to help him to find a community ideal, to sacrifice the infant personality and merge himself in a social whole. Children should be led as soon as possible to feel that they live, not alone, but in the lives of others. Each child needs to feel that he has a friend, a neighbor, a social group in school, a town, a country." This certainly manages that.

 


 I tried to find facts about the coach being given by the King of France, but was unsuccessful. I did find  "Did George Washington ever meet the King Louis XVI of France".

So whatever holiday you feel like celebrating, this is a story that can be used beyond February 16, 2026.

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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."




Friday, February 6, 2026

Bailey - The Cooky Valentine - Keeping the Public in Public Domain

 

A blogger I follow gave a warning to "Make your reservations NOW as Valentine's day falls on a Saturday!" I say now is also a good time to look for a Valentine's Day story.  Carolyn Sherwin Bailey often anthologizes holidays, so I'm not surprised to find she offered stories on the theme, but I liked best her story from an unusual book, Stories for Sunday Telling. In her Preface she says the book's purpose is to bring home "certain moral and spiritual facts" and goes on to say "Each leads in its scope and plot to an important life lesson which children will easily grasp and feel and apply." 

WELL! That's probably not what you expect in a Valentine's Day story. 

Never fear, this story isn't preachy.It does manage to bring in all that is needed to make a cookie. At the same time I wasn't overly happy with the name of the girl who receives the cookie. "Dear Heart" is horribly dated (just like spelling cookie as cooky). If I was telling it to only one child I would change it to that child's name. For a group I would just pick a name.

 
May your Valentine's Day be sweet, with or without cookies,, and filled with stories.
 
*************** 
This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."

 

Friday, January 30, 2026

Hawthorne - The Snow Image - Keeping the Public in Public Domain

Snow has been keeping us and a large portion of the United States busy shoveling and plowing. This is my attitude about it: Bah Humbug!

At the same time I know that "Snow Days" as well as concern for bitter wind chills have made many children happy even if their time out doors has required bundling up and being careful not to get frostbitten.

As a result I just had to find an appropriate story. Nathaniel Hawthorne wrote the perfect one about how adults just don't see things from the same way.

Literary tales can be hard to tell, but the Skinner sisters, Ada and Eleanor, in their winter anthology, The Pearl Story Book, did a good start with their abridgement of the story. At the same time Project Gutenberg has a well-illustrated version of it in The Snow Image: A Childish Miracle. I'm going to insert the illustrations by Marcus Waterman in their appropriate places in the Skinner version of the story.

I leave it up to you as to how you might further adapt the story while keeping the "childish miracle" of the story alive.  

THE SNOW-IMAGE

Nathaniel Hawthorne

 

One afternoon of a cold winter’s day, when the sun shone forth with chilly brightness, after a long storm, two children asked leave of their mother to run out and play in the new-fallen snow.

The elder child was a little girl, whom, because she was of a tender and modest disposition, and was thought to be very beautiful, her parents, and other people who were familiar with her, used to call Violet.

But her brother was known by the title of Peony, on account of the ruddiness of his broad and round little phiz, which made everybody think of sunshine and great scarlet flowers.

“Yes, Violet—yes, my little Peony,” said their kind mother; “you may go out and play in the new snow.”

Forth sallied the two children, with a hop-skip-and-jump, that carried them at once into the very heart of a huge snow-drift, whence Violet emerged like a snow bunting, while little Peony floundered out with his round face in full bloom.

Then what a merry time they had! To look at them, frolicking in the wintry garden, you would have thought that the dark and pitiless storm had been sent for no other purpose but to provide a new plaything for Violet and Peony; and that they themselves had been created, as the snowbirds were, to take delight only in the tempest and in the white mantle which it spread over the earth.

At last, when they had frosted one another all over with handfuls of snow, Violet, after laughing heartily at little Peony’s figure, was struck with a new idea.

“You look exactly like a snow-image, Peony,” said she, “if your cheeks were not so red. And that puts me in mind! Let us make an image out of snow—an image of a little girl—and it shall be our sister, and shall run about and play with us all winter long. Won’t it be nice?”

“Oh, yes!” cried Peony, as plainly as he could speak, for he was but a little boy. “That will be nice! And mamma shall see it.”

“Yes,” answered Violet; “mamma shall see the new little girl. But she must not make her come into the warm parlour, for, you know, our little snow-sister will not love the warmth.”

And forthwith the children began this great business of making a snow-image that should run about; while their mother, who was knitting at the window and overheard some of their talk, could not help smiling at the gravity with which they set about it. They really seemed to imagine that there would be no difficulty whatever in creating a live little girl out of the snow.

Indeed, it was an exceedingly pleasant sight—those bright little souls at their task! Moreover, it was really wonderful to observe how knowingly and skillfully they managed the matter. Violet assumed the chief direction, and told Peony what to do, while, with her own delicate fingers, she shaped out all the nicer parts of the snow-figure.

It seemed, in fact, not so much to be made by the children, as to grow up under their hands, while they were playing and prattling about it. Their mother was quite surprised at this, and the longer she looked, the more and more surprised she grew.

Now, for a few moments, there was a busy and earnest but indistinct hum of the two children’s voices, as Violet and Peony wrought together with one happy consent. Violet still seemed to be the guiding spirit, while Peony acted rather as a labourer and brought her the snow from far and near. And yet the little urchin evidently had a proper understanding of the matter, too.

“Peony, Peony!” cried Violet; for her brother was at the other side of the garden. “Bring me those light wreaths of snow that have rested on the lower branches of the pear-tree. You can clamber on the snow-drift, Peony, and reach them easily. I must have them to make some ringlets for our snow-sister’s head!”

“Here they are, Violet!” answered the little boy. “Take care you do not break them. Well done! Well done! How pretty!”

“Does she not look sweet?” said Violet, with a very satisfied tone; “and now we must have some little shining bits of ice to make the brightness of her eyes. She is not finished yet. Mamma will see how very beautiful she is; but papa will say, ‘Tush! nonsense! come in out of the cold!’”

“Let us call mamma to look out,” said Peony; and then he shouted, “Mamma! mamma!! mamma!!! Look out and see what a nice ’ittle girl we are making!”

“What a nice playmate she will be for us all winter long!” said Violet. “I hope papa will not be afraid of her giving us a cold! Sha’n’t you love her dearly, Peony?”

“Oh, yes!” cried Peony. “And I will hug her and she shall sit down close by me and drink some of my warm milk.”

“Oh, no, Peony!” answered Violet, with grave wisdom. “That will not do at all. Warm milk will not be wholesome for our little snow-sister. Little snow-people like her eat nothing but icicles. No, no, Peony; we must not give her anything warm to drink!”

There was a minute or two of silence; for Peony, whose short legs were never weary, had gone again to the other side of the garden. All of a sudden, Violet cried out, loudly and joyfully, “Look here, Peony! Come quickly! A light has been shining on her cheek out of that rose-coloured cloud! And the colour does not go away! Is not that beautiful?”

“Yes, it is beau-ti-ful,” answered Peony, pronouncing the three syllables with deliberate accuracy. “O Violet, only look at her hair! It is all like gold!”

“Oh, certainly,” said Violet, as if it were very much a matter of course. “That colour, you know, comes from the golden clouds that we see up there in the sky. She is almost finished now. But her lips must be made very red, redder than her cheeks. Perhaps, Peony, it will make them red if we both kiss them!”

Accordingly, the mother heard two smart little smacks, as if both her children were kissing the snow-image on its frozen mouth. But, as this did not seem to make the lips quite red enough, Violet next proposed that the snow-child should be invited to kiss Peony’s scarlet cheek. “Come, ’ittle snow-sister, kiss me!” cried Peony.

“There! she has kissed you,” added Violet, “and now her lips are very red. And she blushed a little, too!”

“Oh, what a cold kiss!” cried Peony.

Just then, there came a breeze of the pure west wind sweeping through the garden and rattling the parlour-windows. It sounded so wintry cold, that the mother was about to tap on the window-pane with her thimbled finger, to summon the two children in, when they both cried out to her with one voice:

“Mamma! mamma! We have finished our little snow-sister, and she is running about the garden with us!”

“What imaginative little beings my children are!” thought the mother, putting the last few stitches into Peony’s frock. “And it is strange, too, that they make me almost as much a child as they themselves are! I can hardly help believing now that the snow-image has really come to life!”

“Dear mamma!” cried Violet, “pray look out and see what a sweet playmate we have!”

The mother, being thus entreated, could no longer delay to look forth from the window. The sun was now gone out of the sky, leaving, however, a rich inheritance of his brightness among those purple and golden clouds which make the sunsets of winter so magnificent.

But there was not the slightest gleam or dazzle, either on the window or on the snow; so that the good lady could look all over the garden, and see everything and everybody in it. And what do you think she saw there? Violet and Peony, of course, her own two darling children.

Ah, but whom or what did she see besides? Why, if you will believe me, there was a small figure of a girl, dressed all in white, with rose-tinged cheeks and ringlets of golden hue, playing about the garden with the two children!

A stranger though she was, the child seemed to be on as familiar terms with Violet and Peony, and they with her, as if all the three had been playmates during the whole of their little lives. The mother thought to herself that it must certainly be the daughter of one of the neighbours, and that, seeing Violet and Peony in the garden, the child had run across the street to play with them.

So this kind lady went to the door, intending to invite the little runaway into her comfortable parlour; for, now that the sunshine was withdrawn, the atmosphere out of doors was already growing very cold.

 

But, after opening the house-door, she stood an instant on the threshold, hesitating whether she ought to ask the child to come in, or whether she should even speak to her. Indeed, she almost doubted whether it were a real child, after all, or only a light wreath of the new-fallen snow, blown hither and thither about the garden by the intensely cold west wind.

There was certainly something very singular in the aspect of the little stranger. Among all the children of the neighbourhood the lady could remember no such face, with its pure white and delicate rose-colour, and the golden ringlets tossing about the forehead and cheeks.

And as for her dress, which was entirely of white, and fluttering in the breeze, it was such as no reasonable woman would put upon a little girl when sending her out to play in the depth of winter. It made this kind and careful mother shiver only to look at those small feet, with nothing in the world on them except a very thin pair of white slippers.

Nevertheless, airily as she was clad, the child seemed to feel not the slightest inconvenience from the cold, but danced so lightly over the snow that the tips of her toes left hardly a print in its surface; while Violet could but just keep pace with her, and Peony’s short legs compelled him to lag behind.

All this while, the mother stood on the threshold, wondering how a little girl could look so much like a flying snow-drift, or how a snow-drift could look so very like a little girl.

She called Violet and whispered to her.

“Violet, my darling, what is this child’s name?” asked she. “Does she live near us?”

“Why, dearest mamma,” answered Violet, laughing to think that her mother did not comprehend so very plain an affair, “this is our little snow-sister whom we have just been making!”

“Yes, dear mamma,” cried Peony, running to his mother, and looking up simply into her face. “This is our snow-image! Is it not a nice ’ittle child?”

“Violet,” said her mother, greatly perplexed, “tell me the truth, without any jest. Who is this little girl?”

“My darling mamma,” answered Violet, looking seriously into her mother’s face, surprised that she should need any further explanation, “I have told you truly who she is. It is our little snow-image which Peony and I have been making. Peony will tell you so, as well as I.”

“Yes, mamma,” declared Peony, with much gravity in his crimson little phiz, “this is ’ittle snow-child. Is not she a nice one? But, mamma, her hand is, oh, so very cold!”

While mamma still hesitated what to think and what to do, the street-gate was thrown open, and the father of Violet and Peony appeared, wrapped in a pilot-cloth sack, with a fur cap drawn down over his ears, and the thickest of gloves upon his hands.

Mr. Lindsey was a middle-aged man, with a weary and yet a happy look in his wind-flushed and frost-pinched face, as if he had been busy all day long, and was glad to get back to his quiet home. His eyes brightened at the sight of his wife and children, although he could not help uttering a word or two of surprise at finding the whole family in the open air, on so bleak a day, and after sunset, too.

He soon perceived the little white stranger, sporting to and fro in the garden, like a dancing snow-wreath and the flock of snowbirds fluttering about her head.

“Pray, what little girl may this be?” inquired this very sensible man. “Surely her mother must be crazy, to let her go out in such bitter weather as it has been today, with only that flimsy white gown and those thin slippers!”

“My dear husband,” said his wife, “I know no more about the little thing than you do. Some neighbour’s child, I suppose. Our Violet and Peony,” she added, laughing at herself for repeating so absurd a story, “insist that she is nothing but a snow-image which they have been busy about in the garden, almost all the afternoon.”

As she said this, the mother glanced her eyes toward the spot where the children’s snow-image had been made. What was her surprise on perceiving that there was not the slightest trace of so much labour!—no image at all!—no piled-up heap of snow!—nothing whatever, save the prints of little footsteps around a vacant space!

“This is very strange!” said she.

“What is strange, dear mother?” asked Violet. “Dear father, do not you see how it is? This is our snow-image, which Peony and I have made, because we wanted another playmate. Did not we, Peony?”

“Yes, papa,” said crimson Peony. “This is our ’ittle snow-sister. Is she not beau-ti-ful? But she gave me such a cold kiss!”

“Pooh, nonsense, children!” cried their good honest father, who had a plain, sensible way of looking at matters. “Do not tell me of  making live figures out of snow. Come, wife; this little stranger must not stay out in the bleak air a moment longer. We will bring her into the parlour; and you shall give her a supper of warm bread and milk, and make her as comfortable as you can.”

So saying, this honest and very kind-hearted man was going toward the little damsel, with the best intentions in the world. But Violet and Peony, each seizing their father by the hand, earnestly besought him not to make her come in.

“Nonsense, children, nonsense, nonsense!” cried the father, half-vexed, half-laughing. “Run into the house, this moment! It is too late to play any longer now. I must take care of this little girl immediately, or she will catch her death of cold.”

And so, with a most benevolent smile, this very well-meaning gentleman took the snow-child by the hand and led her toward the house.

She followed him, droopingly and reluctant, for all the glow and sparkle were gone out of her figure; and, whereas just before she had resembled a bright, frosty, star-gemmed evening, with a crimson gleam on the cold horizon, she now looked as dull and languid as a thaw.

As kind Mr. Lindsey led her up the steps of the door, Violet and Peony looked into his face, their eyes full of tears which froze before they could run down their cheeks, and again entreated him not to bring their snow-image into the house.

“Not bring her in!” exclaimed the kind-hearted man. “Why, you are crazy, my little Violet!—quite crazy, my small Peony! She is so cold already that her hand has almost frozen mine, in spite of my thick gloves. Would you have her freeze to death?”

His wife, as he came up the steps, had been taking another long, earnest gaze at the little white stranger. She hardly knew whether it was a dream or no; but she could not help fancying that she saw the delicate print of Violet’s fingers on the child’s neck. It looked just as if, while Violet was shaping out the image, she had given it a gentle pat with her hand, and had neglected to smooth the impression quite away.

“After all, husband,” said the mother, “after all, she does look strangely like a snow-image! I do believe she is made of snow!”

A puff of the west wind blew against the snow-child, and again she sparkled like a star.

“Snow!” repeated good Mr. Lindsey, drawing the reluctant guest over his hospitable threshold. “No wonder she looks like snow. She is half frozen, poor little thing! But a good fire will put everything to rights.”

This common-sensible man placed the snow-child on the hearth-rug, right in front of the hissing and fuming stove.

“Now she will be comfortable!” cried Mr. Lindsey, rubbing his hands and looking about him, with the pleasantest smile you ever saw. “Make yourself at home, my child.”

Sad, sad and drooping, looked the little white maiden as she stood on the hearth-rug, with the hot blast of the stove striking through her like a pestilence. Once she threw a glance toward the window, and caught a glimpse, through its red curtains, of the snow-covered roofs and the stars glimmering frostily, and all the delicious intensity of the cold night. The bleak wind rattled the window-panes as if it were summoning her to come forth. But there stood the snow-child, drooping, before the hot stove!

But the common-sensible man saw nothing amiss.

“Come, wife,” said he, “let her have a pair of thick stockings and a woolen shawl or blanket directly; and tell Dora to give her some warm supper as soon as the milk boils. You, Violet and Peony, amuse your little friend. She is out of spirits, you see, at finding herself in a strange place. For my part, I will go around among the neighbours and find out where she belongs.”

The mother, meanwhile, had gone in search of the shawl and stockings. Without heeding the remonstrance of his two children, who still kept murmuring that their little snow-sister did not love the warmth, good Mr. Lindsey took his departure, shutting the parlour door carefully behind him.

Turning up the collar of his sack over his ears, he emerged from the house, and had barely reached the street-gate, when he was recalled by the screams of Violet and Peony and the rapping of a thimbled finger against the parlour window.

“Husband! husband!” cried his wife, showing her horror-stricken face through the window panes. “There is no need of going for the child’s parents!”

“We told you so, father!” screamed Violet and Peony, as he re-entered the parlour. “You would bring her in; and now our poor—dear—beau-ti-ful little snow-sister is thawed!”

And their own sweet little faces were already dissolved in tears; so that their father, seeing what strange things occasionally happen in this every-day world, felt not a little anxious lest his children might be going to thaw too. In the utmost perplexity, he demanded an explanation of his wife. She could only reply that, being summoned to the parlour by cries of Violet and Peony, she found no trace of the little white maiden, unless it were the remains of a heap of snow, which, while she was gazing at it, melted quite away upon the hearth-rug.

“And there you see all that is left of it!” added she, pointing to a pool of water, in front of the stove.

“Yes, father,” said Violet, looking reproachfully at him through her tears, “there is all that is left of our dear little snow-sister!”

“Naughty father!” cried Peony, stamping his foot, and—I shudder to say—shaking his little fist at the common-sensible man. “We told you how it would be! What for did you bring her in?”

And the stove, through the isinglass of its door, seemed to glare at good Mr. Lindsey, like a red-eyed demon, triumphing in the mischief which it had done! (Abridged.)

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May both children and adults survive this snowy, cold time and eventually see spring. 


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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them.

At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience.  Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week.  This is a return to my regular posting of a research project here.  (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.)  Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it.

See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."