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Alfreda Harris |
Before I give a pair of gems from it I really should tell a bit more about Eatonville. This Florida town was very much Hurston's home, weaving its way throughout her life. Nowadays the town runs an annual award-winning festival, Zora!, which is described as “the longest running arts and humanities festival celebrating the cultural contributions people of African ancestry have made to the world.” My apologies for not discovering it at the beginning of this month when this year's festival was held. It began in 1990 and readers might want to explore it for the future.
Hurston's stories flowed throughout her life, with Eatonville being the spring for the fountain of her writing. This 1926 anthology offers a small flood of tales. Because February is also filled with the celebration of Valentine's Day, a very brief tale of "Turpentine Love" is the opening tale here, followed by another, "The Way of a Man with a Train." (I'm a train lover, even married on one, and couldn't resist!)
Turpentine Love
Jim Merchant is always in good humor—even with his wife. He says he fell in love with her at first sight. That was some years ago. She has had all her teeth pulled out, but they still get along splendidly.
He says the first time he called on her he found out that she was subject to fits. This didn’t cool his love, however. She had several in his presence.
One Sunday, while he was there, she had one, and her mother tried to give her a dose of turpentine to stop it. Accidently, she spilled it in her eye and it cured her. She never had another fit, so they got married and have kept each other in good humor ever since.
The Way of a Man with a Train
Old Man Anderson lived seven or eight miles out in the country from Eatonville. Over by Lake Apopka. He raised feed-corn and cassava and went to market with it two or three times a year. He bought all of his victuals wholesale so he wouldn’t have to come to town for several months more.
He was different from us citybred folks. He had never seen a train. Everybody laughed at him for even the smallest child in Eatonville had either been to Maitland or Orlando and watched a train go by. On Sunday afternoons all of the young people of the village would go over to Maitland, a mile away, to see Number 35 whizz southward on its way to Tampa and wave at the passengers. So we looked down on him a little. Even we children felt superior in the presence of a person so lacking in worldly knowledge.
The grown-ups kept telling him he ought to go see a train. He always said he didn’t have time to wait so long. Only two trains a day passed through Maitland. But patronage and ridicule finally had its effect and Old Man Anderson drove in one morning early. Number 78 went north to Jacksonville at 10:20. He drove his light wagon over in the woods beside the railroad below Maitland, and sat down to wait. He began to fear that his horse would get frightened and run away with the wagon. So he took him out and led him deeper into the grove and tied him securely. Then he returned to his wagon and waited some more. Then he remembered that some of the train-wise villagers had said the engine belched fire and smoke. He had better move his wagon out of danger. It might catch afire. He climbed down from the seat and placed himself between the shafts to draw it away. Just then 78 came thundering over the trestle spouting smoke, and suddenly began blowing for Maitland. Old Man Anderson became so frightened he ran away with the wagon through the woods and tore it up worse than the horse ever could have done. He doesn’t know yet what a train looks like, and says he doesn’t care.
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I hope the good humor that fills these two brief stories encourages you to look up more of Hurston's work. I know Alfreda would have a big smile on her face if you did.
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This is part of a series of postings of stories under the category, “Keeping the Public in Public Domain.” The idea behind Public Domain was to preserve our cultural heritage after the authors and their immediate heirs were compensated. I feel strongly current copyright law delays this intent on works of the 20th century. My own library of folklore includes so many books within the Public Domain I decided to share stories from them. I hope you enjoy discovering them. At the same time, my own involvement in storytelling regularly creates projects requiring research as part of my sharing stories with an audience. Whenever that research needs to be shown here, the publishing of Public Domain stories will not occur that week. This is a return to my regular posting of a research project here. (Don't worry, this isn't dry research, my research is always geared towards future storytelling to an audience.) Response has convinced me that "Keeping the Public in Public Domain" should continue along with my other postings as often as I can manage it. See the sidebar for other Public Domain story resources I recommend on the page “Public Domain Story Resources."